DeckLink – Installation | Blackmagic Design.Blackmagic Design DeckLink 4K Extreme Service Manual -

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Media Composer has fast and familiar operation along with a bit architecture that lets you play back complex layered effects in real time. DeckLink is the perfect choice for professionals looking for the best possible Avid workflow!

Blackmagic Media Express software comes free with every DeckLink card. LiveKey lets you insert logos and other graphics in real time using SDI outputs. Disk Speed Test checks your disk array and gives you an easy to understand speed test with the results in video frames per second! Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects. DeckLink cards are perfect for broadcast design because they deliver the high quality and reliability you need for working under pressure in broadcast workflows!

By adding a DeckLink card to your ProTools system, you can confidently play video and audio together while mixing to avoid dropped audio and lip sync misalignments. Windows audio software support allows you to use Steinberg Nuendo for audio re-recording and multitrack mastering and in Cubase you can score music to a separate video track! Resolume software supports all DeckLink capture and playback products straight out of the box!

With Resolume Arena you can even use SMPTE timecode captured by DeckLink to synchronize clips with lasers, lights, fireworks displays or anything you can imagine for the most mind blowing VJ performances! DeckLink is fully compatible with popular video and audio streaming software so you can get your live stream to millions of online viewers!

Stream high quality video of live events, webcasts, educational seminars, sales presentations, concerts or even video gameplay with DeckLink! This lets you develop custom solutions for in house use or even commercial distribution! Develop your solutions with confidence because DeckLink cards are a flexible, proven foundation that frees you to work without limitations.

Learn more about Installation. Learn more about Media Express. Previously high end television and post production required investment in millions of dollars of hardware, however with Blackmagic Design video hardware, even Ultra HD 60p is now easily affordable.

We think it should take you approximately 10 minutes to complete installation. Before you install Blackmagic Design video hardware, please check our website at www. Lastly, please register your Blackmagic. Design video hardware when downloading software updates. We would love to keep you updated on new software updates and new features.

Perhaps you can even send us your latest show reel of work completed on your Blackmagic Design video hardware and any suggestions for improvements to the software. We are constantly working on new features and improvements, so we would love to hear from you! This manual takes you through computer system requirements, installing hardware and software and using your favorite third party software. PCIe x1 lane cards should work in any slot. PCIe x4 lane cards require a x4 lane or faster slot.

DeckLink 4K Extreme 12G requires an x8 lane or faster slot. Desktop Video runs exclusively on bit versions of Windows, with the latest service pack installed. Desktop Video runs on bit and bit x86 computers running Linux 2. Please refer to the release notes for the latest list of supported Linux distributions, package formats and software dependencies.

Make sure. Step 1. If your Blackmagic Design video hardware includes an external power supply, connect it to the unit and switch on the power. Step 2. Connect a Thunderbolt cable between the unit and a Thunderbolt port on your computer. Alternatively, you can connect to your computer’s Thunderbolt disk array. You can easily confirm this by looking for the number ‘3’ printed on the connector. Step 3. If Desktop Video software has previously been installed and offers to update the internal software, click ‘update’ and follow any onscreen instructions.

Step 4. If a breakout cable is supplied, connect it to the Blackmagic Design video hardware and plug the connectors into your video equipment. Connect the breakout cable if one is supplied with your Blackmagic Design card. Some models also include an HDMI bracket as pictured above. If you need to supply external power to your DeckLink 4K Extreme 12G you can easily use the supplied power adapter cable.

Simply disconnect the power from your graphics card and plug it into the adapter cable. The plug will only connect to one end so there’s no way to connect it incorrectly. Please be careful when installing your DeckLink PCIe card to avoid damaging delicate components on the card. Remove the power plug from your computer and ensure that you are statically discharged. If you need to connect external power to your Decklink 4K Extreme 12G, refer to the ‘connecting external power’ section in this manual for instructions.

Replace the cover of your computer, connect any supplied breakout cables and switch it on. Step 5. For more information about Blackmagic’s Desktop Video software, refer to the ‘Blackmagic Desktop Video Utility’ section in this manual. Remove the power plug from your computer and ensure you are statically discharged. Remove the side panel from your computer and check to see if your computer’s power supply unit has a spare power cable.

If so, you can connect it directly to your DeckLink card. If you have a powered graphics card that’s already using any spare cables from the power supply, you will need to use the supplied Y shaped adapter cable to send power to both your graphics card and DeckLink card. Now plug one of the two Y connectors into your graphics card and the other into your DeckLink card.

The connectors are 6 and 8 pin compatible. You should now have power supplied to both your graphics card and DeckLink card. We have built a PCIe Gen 3 adapter card for this purpose. Secure the PCIe adapter card bracket with screws.

Connect the power cable to your UltraStudio 4K Extreme to power it up and then switch on your computer. The supplied extension cable is connected to the PCIe port located at the back of your computer. The table below lists the applications, plugins and drivers that are included when you install the. Ensure you have the very latest driver. Visit www. Launch the Desktop Video Installer from the media included with your hardware or from a downloaded disk image.

Click the ‘continue’, ‘agree’ and ‘install’ buttons to install the software. When your Mac restarts the software will check the internal software version of your hardware. If the internal software version does not match the driver version, you will be prompted to update the internal software. Click OK to start the update and restart your Mac to complete the process. The drivers will now be installed on your system. If you have a DeckLink Quad 2 installed in a Windows 7 computer, Windows Update will attempt to check each driver in case a newer version is available.

In this particular case it is unnecessary as all drivers in the latest Desktop Video release are the most recent. The installation will now be a lot faster.

When your computer restarts the software will check the internal software version of your hardware. Click OK to start the update and restart your computer to complete the process.

Download the latest Desktop Video software for Linux from www. Open the Desktop Video folder and navigate to the packages required for your distribution and architecture. Note that ‘amd64’ refers to Intel and AMD bit processors. There are three sets of packages provided:. The desktopvideo-gui package provides the Desktop Video Utility software.

The mediaexpress package provides a simple capture and playback utility. Double click the packages you wish to install and follow the onscreen instructions. If you see any messages about missing dependencies, ensure they are installed first and then rerun the Desktop Video installer. When the installer has finished it is recommended that you restart your computer to complete the installation process.

When your computer restarts, the software will check the internal software version of your hardware. Click ‘ok’ to start the update and restart your computer to complete the process. If you have not installed the graphical utilities, you can check the internal software is up to date using the BlackmagicFirmwareUpdater command line tool:.

It’s a good idea to run a quick test to ensure you can successfully capture and play back video. Connect a monitor or TV to the video output of your Blackmagic Design hardware.

Launch Blackmagic Media Express. Click on the ‘log and capture’ tab. Your input video format is automatically detected and Media Express sets the project video format to match. Your video source will appear in the Media Express preview pane.

Click ‘capture’ at the bottom of the ‘log and capture’ window to perform the capture test. Click ‘capture’ again to finish the test. The captured clip is added to the media list on the left side of Media Express.

Double-click the test clip. The video and any present audio will be sent to the monitor connected to your hardware’s output. To capture H. Set the bitrate for H. This gives you the ability to capture video using encoding technology that maintains stunning video quality at the lowest possible bitrate.

Launch the Blackmagic Media Express software. Set the bitrate for your H. Drag the ‘encoding settings’ slider to the left if you need to capture video with a smaller file size and a lower bitrate, or drag to the right if file sizes are not an issue and you want the best possible video quality.

Setting the bitrate too low will result in compression artifacts in your picture, such as visible macro-blocking, pixelation or banding. However, the H. When encoding H.

For example, if there is a large number of people streaming your video, you may need to lower the bitrate in your encoding so audience members with slower internet connections can watch without download interruptions.

Higher bitrates are better for video content with lots of contrast and movement between frames, such as bright to dark, or high energy sporting events and graphics. Video with high frame rates also require higher bitrates compared to video at lower frame rates.

Blackmagic Desktop Video Utility lets you adjust video and audio input and output settings, apply up or down conversions during capture and playback, and provides information about the driver. Blackmagic Desktop Video Utility provides a central location for configuring hardware settings, plus a realtime status display showing the video connected to your hardware’s inputs and outputs. On Windows 8, from the ‘start’ page type ‘Blackmagic’ and then click the Blackmagic Desktop Video Utility application.

The Desktop Video utility also launches from the Windows 10 ‘control panel’. On Linux, go to ‘applications’ and then ‘sound and video’ and double-click the Blackmagic Desktop Video Utility application. If you are sending a video signal to your input, it will be automatically detected and the format will be displayed under the Video Input icon. If you have multiple Blackmagic capture and playback devices connected, you can cycle through them by clicking the arrow buttons on the sides of the home page.

To configure settings, simply click on the hardware image, or the settings icon located below the hardware name. The Desktop Video utility only displays the settings that are relevant to your selected hardware, so you don’t have to scroll through pages of menus to find the settings you want. The following pages of this manual will show you how to adjust settings using Blackmagic Desktop Video Utility.

Click on a connector icon to set the ‘video input’ connection for your Blackmagic Design hardware. Only the connectors that are built into your hardware will be shown. When a valid video signal is detected, the input and video format will be displayed on the Blackmagic Desktop Video Utility home page. Dragging the video slider affects the luma gain and the chroma sliders decrease or increase the color saturation. When using component video, you can adjust the Cb and Cr values independently.

It is not recommended for modern flat screens. Some professional color grading monitors and projectors only accept high bandwidth signals like p60 or DCI 4K via quad link. You can choose to output black, or the last frame shown during playback. Adjust the video slider to set composite analog video output levels, and the Cb and Cr sliders for controlling color balance when using component video.

Idle Output: Use this setting to choose what is displayed on the video output when video is not being played. Last Frame Shown: Outputs the last frame of the video clip or sequence last played. Frame Packing: combines left and right eye images into a single frame without compression. Line by Line: the left and right eye images are carried on alternate video lines without. Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video.

If locking to a reference, adjust this setting to time the video output relative to the reference input. The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. This is commonly used in large broadcast facilities where the video output needs to be accurately timed. The reference adjustment is in samples so you can get an extremely accurate timing adjustment down to the sample level. A common example of how this setting would be used is where all the hardware in your facility has a stable common reference connected and then all the devices would have the timing set so the video outputs all match perfectly.

This would then make it possible to switch between devices on a downstream router or production switcher and would eliminate any glitching when switching. This gives you the ability to capture or play back 8 separate video streams, similar to having 8 capture and playback devices in one single product. You can even name each device so you can keep track of which DeckLink Quad device is being used for a specific video signal. If you have an original DeckLink Quad installed in your facility and are using a custom designed SDK application, you can be confident that installing DeckLink Quad 2 will work in your system without having to make any changes to your application.

Additional mapping features in your DeckLink Quad 2 will allow you to build on your existing system to provide even more input and output configurations if you need them. Adjust the input channel sliders to control your analog audio input levels.

Enable the ‘use HiFi audio levels’ checkbox if connecting consumer audio equipment. Click on a connector icon to set your ‘audio input’ connection for your Blackmagic Design hardware. You can select from the following inputs:. Embedded: includes audio channels as part of video signals. XLR: is a three pin audio connector that is predominantly used by professional analog.

Microphone: Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones. Be sure to wait at least 10 seconds for phantom power to discharge after disconnecting before plugging in a self powered microphone. Older ribbon type microphones and dynamic microphones are not suitable for phantom power usage. Press the reset icon to reset the gain to 0 dB.

If you want to connect consumer audio equipment to the XLR connectors, make sure you enable the ‘use HiFi audio levels’ checkbox as the audio levels between professional and consumer equipment differ.

When adjusting sliders, you may want to cancel your change. The reset icon is the circular arrow located at the right of each settings’ title bar. Press the reset icon in each setting to restore the gain sliders to 0 dB. To set your up or down conversion settings, select your input or output conversion from the respective dropdown menu, and click on the desired aspect ratio selection.

Remember to click ‘save’ to apply your settings. This setting enables realtime up and down conversion during capture. Select your desired conversion from the ‘input conversion’ dropdown menu. Input conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy. Display As: Select how you’d like your converted video presented. Depending on your input video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom.

This setting enables realtime up and down conversion during playback. Select your desired conversion from the dropdown menu.

Output conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.

Convert Analog Outputs: Enable this checkbox to also perform your conversion on the analog video outputs. Depending on your video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom. The following table outlines the different aspect ratio selections available during conversions. You can also generate a status report and enter product notes specific to your hardware. The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated.

You can also generate a status report by clicking on the status report ‘create’ button, which lets you save a file containing technical information such as the video format detected on your input and output, color space, color sampling and bit depth, driver information, operating system and machine information. This report can be useful if you ever need to contact our technical support team. The file is also very small so can be easily emailed. This is useful if you have the same hardware in various locations on a network, plus it can be handy to name the different units for their purposes, e.

When you enter a name for your hardware in the label field, it is saved to the Blackmagic Desktop Video Utility home page and displayed beneath the hardware image. You can also enter important information that you may want to refer to later, such as the hardware serial number, where and when your hardware was purchased, as well as the seller’s contact details. Desktop Video 10 allows simultaneous capture and playback on Blackmagic Design 4K hardware. When using live grading on-set, simply connect the output of the camera to the input of your Blackmagic Design hardware.

In the ‘project settings’ window, go to the ‘capture and playback’ tab and select your desired format from the ‘video capture and playback’ menu. You should now see live video within the viewer and a bright red ‘Resolve Live’ button will appear above the video. In Resolve Live mode, the ‘freeze’ button snowflake icon freezes the current incoming video frame, so you can grade it without being distracted by motion occurring during the shoot. Snapshots are simply one-frame clips.

Use the ‘project settings’ window to set your timeline format and video monitoring options. Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Whether you use the mouse to drag and drop clips, or your keyboard for precision editing, DaVinci Resolve is easy to learn and features all of the functionality professional editors require.

Click the ‘save’ button to save the changes and close the project settings window. Use the browser on the ‘media’ page to load your clips into the media pool. On the ‘edit’ page, drag a clip from the media pool to the source viewer. You can set the in and out points in source clips by using the I and O keys. To edit the clip into the timeline, simply drag and drop the clip from the source viewer into the timeline.

Under ‘video devices’, select Blackmagic Playback. You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace.

If you work with unsupported or non-standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware. The ‘Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware.

However, you can still change your settings, by holding the Option [Mac] or Ctrl [Win] key, when selecting import or export. Create a ‘new project’ and set the desired ‘location’ and ‘name’ for your project.

Click on the ‘scratch disks’ tab to set the locations for your captured video, captured audio,. Set the Capture Format to Blackmagic capture and click ‘settings’ [Mac] or ‘properties’. Click OK and your project will open. Select the desired Blackmagic. Many Blackmagic Design capture and playback models feature RS device control for controlling decks. Select ‘Blackmagic playback’ in both the ‘audio device’ and ‘video device’ menus. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted from your Blackmagic Design hardware.

You can scale your. Connect DeckLink to professional equipment with virtually any type of video and audio connection available, as well as professional RS deck control, external reference inputs and more! All DeckLink cards feature advanced SDI video connections, the standard for today’s post production and broadcast equipment.

Some DeckLink models also include HDMI, analog component, S-Video and composite connections, which means that you can connect to a range of older professional and consumer equipment. Work with the widest range of monitors, switchers, routers, broadcast decks and more. With DeckLink models you can be assured you have every kind of connection, quality, file format and software compatibility you need for any task!

Connect virtually any professional or consumer analog video device or deck. If you’re connecting to older decks such as Betacam SP, then you can use the component analog connections on the DeckLink Studio and DeckLink 4K Extreme to plug in direct using the component analog video connections and balanced analog audio. DeckLink has models with both SDI and HDMI connections, so is perfect for connecting to broadcast monitors and video projectors for massive cinema style monitoring!

DeckLink cards are perfect for use with routers because they include support for video, multi channel audio, timecode and close caption data, all down the single SDI cable. This saves costs on installing routers because the single SDI router can handle all the signal types without resorting to expensive multi level routers that cost millions!

Different models of DeckLink cards support built in down conversion, so you can send feeds to systems that run separate SD and HD routers.

WebOct 30, · While your DeckLink is a legacy product, you should still be able to download the current Desktop Video from the support page and have it function . WebContribute to stevenfarmer/wgj development by creating an account on GitHub. WebBlackmagic DeckLink Extreme Driver Download. Deck Link – скоростные платы захвата и вывода с поддержкой 12G-SDI и 8K для Mac, windows и Linux. Только DeckLink . WebDeckLink 4K Extreme 12G requires an x8 lane or faster slot. Mac OS X. Desktop Video software runs on the latest Mavericks and Yosemite versions of Mac OS X. If your . WebBlackmagic DeckLink HD Extreme 3D. Connection: HD/SDI Video Input. LiveKey, Blackmagic System Preferences and Blackmagic driver on Mac OS X / Media Express, .
WebBlackmagic DeckLink Extreme Driver Download. Deck Link – скоростные платы захвата и вывода с поддержкой 12G-SDI и 8K для Mac, windows и Linux. Только DeckLink . WebNov 06, · If you install windows 7, 64 bit, and Decklink Extreme PCI, you can put only 3,0 (3×)GB of RAM and thing will work. If you put 4 or more not working. I prove this . WebContribute to irisallison1/azb development by creating an account on GitHub. WebContribute to stevenfarmer/wgj development by creating an account on GitHub.

Windows audio software support allows you to use Steinberg Nuendo for audio re-recording and multitrack mastering and in Cubase you can score music to a separate video track! Resolume software supports all DeckLink capture and playback products straight out of the box!

DeckLink is fully compatible with popular video and audio streaming software so you can get your live stream to millions of online viewers! Stream high quality video of live events, webcasts, educational seminars, sales presentations, concerts or even video gameplay with DeckLink! This lets you develop custom solutions for in house use or even commercial distribution! Develop your solutions with confidence because DeckLink cards are a flexible, proven foundation that frees you to work without limitations.

The DeckLink SDK provides both low level control of hardware and high level interfaces that allow you to easily perform common tasks. It even lets you develop once and then easily deploy your solution across the entire range of DeckLink capture cards. Learn more about Installation. Learn more about Media Express. Learn more about Models. Learn more about Tech Specs. Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In.

New Zealand. South Africa. Chinese Taipei. United Kingdom. United States. Find Reseller. Supports your favorite software! Premiere Pro DeckLink is the highest quality editing solution for Premiere Pro and fully supports the Mercury Playback engine for incredible realtime effects. Blackmagic Utilities Included! Compatible with leading Broadcast Design Tools Add amazing effects and graphics to your work. Cinema 4D. Photoshop CC. The installation will now be a lot faster. When your computer restarts the software will check the internal software version of your hardware.

Click OK to start the update and restart your computer to complete the process. Download the latest Desktop Video software for Linux from www. Open the Desktop Video folder and navigate to the packages required for your distribution and architecture. Note that ‘amd64’ refers to Intel and AMD bit processors. There are three sets of packages provided:. The desktopvideo-gui package provides the Desktop Video Utility software.

When the installer has finished it is recommended that you restart your computer to complete the installation process. If you cannot find a native Desktop Video package for your Linux distribution, or if you prefer to install from a command line, refer to the ReadMe file for detailed installation instructions.

If you have installed the graphical utilities, you will be automatically notified when you need to update the internal software. When your computer restarts, the software will check the internal software version of your hardware.

Click ‘ok’ to start the update and restart your computer to complete the process. If you have not installed the graphical utilities, you can check the internal software is up to date using the BlackmagicFirmwareUpdater command line tool:.

It’s a good idea to run a quick test to ensure you can successfully capture and play back video. Connect a monitor or TV to the video output of your Blackmagic Design hardware. Launch Blackmagic Media Express. Click on the ‘log and capture’ tab. Your input video format is automatically detected and Media Express sets the project video format to match.

Your video source will appear in the Media Express preview pane. Click ‘capture’ at the bottom of the ‘log and capture’ window to perform the capture test. Click ‘capture’ again to finish the test. The captured clip is added to the media list on the left side of Media Express.

Set the bitrate for your H. Drag the ‘encoding settings’ slider to the left if you need to capture video with a smaller file size and a lower bitrate, or drag to the right if file sizes are not an issue and you want the best possible video quality.

Setting the bitrate too low will result in compression artifacts in your picture, such as visible macro-blocking, pixelation or banding.

However, the H. When encoding H. For example, if there is a large number of people streaming your video, you may need to lower the bitrate in your encoding so audience members with slower internet connections can watch without download interruptions.

Blackmagic Desktop Video Utility lets you adjust video and audio input and output settings, apply up or down conversions during capture and playback, and provides information about the driver.

Blackmagic Desktop Video Utility provides a central location for configuring hardware settings, plus a realtime status display showing the video connected to your hardware’s inputs and outputs.

On Linux, go to ‘applications’ and then ‘sound and video’ and double-click the Blackmagic Desktop Video Utility application. If you are sending a video signal to your input, it will be automatically detected and the format will be displayed under the Video Input icon. If you have multiple Blackmagic capture and playback devices connected, you can cycle through them by clicking the arrow buttons on the sides of the home page. To configure settings, simply click on the hardware image, or the settings icon located below the hardware name.

The Desktop Video utility only displays the settings that are relevant to your selected hardware, so you don’t have to scroll through pages of menus to find the settings you want. The following pages of this manual will show you how to adjust settings using Blackmagic Desktop Video Utility.

Click on a connector icon to set the ‘video input’ connection for your Blackmagic Design hardware. Only the connectors that are built into your hardware will be shown.

When a valid video signal is detected, the input and video format will be displayed on the Blackmagic Desktop Video Utility home page. Dragging the video slider affects the luma gain and the chroma sliders decrease or increase the color saturation.

When using component video, you can adjust the Cb and Cr values independently. It is not recommended for modern flat screens. Some professional color grading monitors and projectors only accept high bandwidth signals like p60 or DCI 4K via quad link. You can choose to output black, or the last frame shown during playback.

Last Frame Shown: Outputs the last frame of the video clip or sequence last played. Frame Packing: combines left and right eye images into a single frame without compression. Line by Line: the left and right eye images are carried on alternate video lines without. Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video. Click the ‘link’ icon to connect them if you want to adjust them simultaneously.

Enable the checkbox if working with Sony Betacam SP decks. PAL and high definition formats do not use this setting. If locking to a reference, adjust this setting to time the video output relative to the reference input. The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. This is commonly used in large broadcast facilities where the video output needs to be accurately timed.

The reference adjustment is in samples so you can get an extremely accurate timing adjustment down to the sample level. A common example of how this setting would be used is where all the hardware in your facility has a stable common reference connected and then all the devices would have the timing set so the video outputs all match perfectly.

This would then make it possible to switch between devices on a downstream router or production switcher and would eliminate any glitching when switching.

This gives you the ability to capture or play back 8 separate video streams, similar to having 8 capture and playback devices in one single product. You can even name each device so you can keep track of which DeckLink Quad device is being used for a specific video signal. If you have an original DeckLink Quad installed in your facility and are using a custom designed SDK application, you can be confident that installing DeckLink Quad 2 will work in your system without having to make any changes to your application.

Additional mapping features in your DeckLink Quad 2 will allow you to build on your existing system to provide even more input and output configurations if you need them.

Adjust the input channel sliders to control your analog audio input levels. Enable the ‘use HiFi audio levels’ checkbox if connecting consumer audio equipment. Click on a connector icon to set your ‘audio input’ connection for your Blackmagic Design hardware. You can select from the following inputs:. Embedded: includes audio channels as part of video signals.

XLR: is a three pin audio connector that is predominantly used by professional analog. Microphone: Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones. Be sure to wait at least 10 seconds for phantom power to discharge after disconnecting before plugging in a self powered microphone. Older ribbon type microphones and dynamic microphones are not suitable for phantom power usage.

Press the reset icon to reset the gain to 0 dB. If you want to connect consumer audio equipment to the XLR connectors, make sure you enable the ‘use HiFi audio levels’ checkbox as the audio levels between professional and consumer equipment differ. When adjusting sliders, you may want to cancel your change. The reset icon is the circular arrow located at the right of each settings’ title bar.

Press the reset icon in each setting to restore the gain sliders to 0 dB. To set your up or down conversion settings, select your input or output conversion from the respective dropdown menu, and click on the desired aspect ratio selection. Remember to click ‘save’ to apply your settings. This setting enables realtime up and down conversion during capture. Select your desired conversion from the ‘input conversion’ dropdown menu.

Input conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy. Display As: Select how you’d like your converted video presented. Depending on your input video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom.

This setting enables realtime up and down conversion during playback. Select your desired conversion from the dropdown menu. Output conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.

This report can be useful if you ever need to contact our technical support team. The file is also very small so can be easily emailed.

This is useful if you have the same hardware in various locations on a network, plus it can be handy to name the different units for their purposes, e. When you enter a name for your hardware in the label field, it is saved to the Blackmagic Desktop Video Utility home page and displayed beneath the hardware image. You can also enter important information that you may want to refer to later, such as the hardware serial number, where and when your hardware was purchased, as well as the seller’s contact details.

Load a project, and from within the ‘project settings’ window, set your ‘timeline resolution’, ‘timeline frame rate’ and ‘playback frame rate’. Under the ‘video monitoring’ section, set your ‘video format’. This is the format that will be used for the output from your Blackmagic Design hardware. Click the ‘save’ button to save the changes and close the project settings window. Use the browser on the ‘media’ page to load your clips into the media pool.

On the ‘edit’ page, drag a clip from the media pool to the source viewer. You can set the in and out points in source clips by using the I and O keys. To edit the clip into the timeline, simply drag and drop the clip from the source viewer into the timeline. Under ‘video devices’, select Blackmagic Playback. You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware.

The ‘Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware.

When you have completed your composition, you can render a DPX image sequence or any of the following codecs:. Select the ‘video input format’ and the ‘image bit depth’ and then click ‘import image’. Once you have set the ‘import’ or ‘export’ options, subsequent imports and exports will not display the settings window. However, you can still change your settings, by holding the Option [Mac] or Ctrl [Win] key, when selecting import or export.

Create a ‘new project’ and set the desired ‘location’ and ‘name’ for your project. Click on the ‘scratch disks’ tab to set the locations for your captured video, captured audio,.

Set the Capture Format to Blackmagic capture and click ‘settings’ [Mac] or ‘properties’. Click OK and your project will open. Select the desired Blackmagic. Many Blackmagic Design capture and playback models feature RS device control for controlling decks. Select ‘Blackmagic playback’ in both the ‘audio device’ and ‘video device’ menus.

If you work with unsupported or non-standard frame sizes, these can also be correctly outputted from your Blackmagic Design hardware. You can scale your. For example, if New Sequence you are using UltraStudio 4K and your Premiere sequence is set to a resolution of x , scaling. To immediately capture, or to capture from a non-controllable device, click the red record button [G].

If you wish to log the clip using RS deck control, enter the desired in and out points using either the ‘set in’ and ‘set out’ buttons, or manually by typing the timecode and clicking ‘log clip’. The empty clip will now appear in the ‘project’ window. Repeat this until you have logged all of the clips you wish to batch capture.

To set handles on the clips, enable the option to capture with handles and type the number of additional frames you require at the start and end of each clip. Choose between two export types: insert and assemble. Insert editing requires unbroken timecode over the full length of the project which is to be laid to tape. As assemble editing erases the tape ahead of the record heads, it should not be used where other projects already exist on the tape after the out point of your edit. On Mac, go to system preferences and select ‘built-in mic’ as the input and ‘internal speakers’ as the output.

If the capture format does not match the output format, it can cause confusion for the deck during preroll and audio might not be exported. When editing to tape, the software waits at the first frame of your project for the deck to drop into record at the predetermined timecode. You should only need to do this once with any combination of deck and computer and the correct setting will be retained. You can use the broadcast monitoring feature of Final Cut Pro X You can also use two computer monitors for the Final Cut Pro X interface.

Ensure you are running Final Cut Pro X Open Blackmagic Desktop Video Utility. Go to ‘output format’ and then set the same format that you will use in your Final Cut Pro X project, e. HD p The format should be the same as the video format of your clips.

Set the ‘video properties’ to ‘custom’ and then set the format, resolution and frame rate to match the output format set in Blackmagic Desktop Video Utility. Step 6. Set the ‘audio and render properties’ to ‘custom’. Set the audio channels to stereo or you can choose ‘surround’ for 6 audio channels.

Set the audio sample rate to the television rate of 48kHz. Set the render format to the same format as your video clips. Final Cut Pro X defaults to using ProRes compression but you can switch this to Uncompressed bit for an uncompressed workflow.

You can now use the Final Cut Pro X timeline on your computer monitor and view the video preview on the monitor or TV connected to the output of your Blackmagic Design video hardware. Click ‘settings’ and select your desired video codec from the dropdown menu. You can use Blackmagic Media Express to capture video and audio with your Blackmagic Design video hardware. Once you have captured the clips, you can import them in to Final Cut Pro X for editing. When capturing clips with Media Express, make sure you choose one of the video formats that is also supported by Final Cut Pro X, i.

Once you have completed a project in Final Cut Pro X, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware. Click ‘next Refer to the Blackmagic Media Express section of this manual for ‘Editing video and audio files to tape’.

Blackmagic plug-ins for Media Composer are automatically installed if Media Composer is installed before the Desktop Video software. Select the folder in which you want to create the project: Private, shared or external.

Type a project name and set the project options including format, color space and stereoscopic. Click OK. The color space and stereoscopic settings can be changed later in the ‘format’ tab of the project. Double-click the project name in the ‘select project’ dialog box. The Media Composer interface will appear along with the project window for your new project.

You have completed setting up your project. Double-click the imported file to play it in a pop-up monitor. You should now see the image on both your computer monitor and your Blackmagic Design hardware output. Many video sources including all kinds of modern cameras and disk recorders, as well as old cameras and VHS tape players, do not have any device control.

To capture video without deck control:. Click the ‘toggle source’ button so that the button’s icon of a deck shows a red circle-slash symbol. This symbol indicates that deck control has been disabled. Select the video source track V and the audio source tracks A1, A2, From the ‘res’ resolution menu, choose which compressed or uncompressed codec you wish to use for your captured clips. For uncompressed 8-bit video, select “” or ” 10b” for bit.

Select the disk storage for your captured video and audio. Select the target drive s for your captured media from the ‘target drives’ menu s. Click the ‘tape name? Select the desired tape, or alternatively add a new one and click OK. Step 9. Ensure your video and audio source is ready or playing and then click the ‘capture’ button. The capture button will flash red while recording. Click the capture button again to end the capture. Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button.

In the ‘deck preferences’, enable the option to ‘relax coincidence point detection’. Set the ‘cap’ and ‘toggle source’ buttons to use deck control. Use the ‘deck controller window’ to cue the tape and start playing. If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control. From your project window, click the settings tab and double-click on ‘deck configuration’.

Click ‘add deck’ and then select your brand and model of deck from the device menus and also set the desired preroll. Click OK and then ‘apply’. If this option is left unchecked, you will only be able to perform insert edits. Enable the option to ‘relax coincidence point detection’ and set other settings as needed. You have completed setting up the RS connection to your deck. To test the remote connection ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck.

Set the deck to ‘remote’. Open the ‘capture tool’ and use the standard J, K, L shortcut keys to control the deck. If a deck name appears in italics or ‘no deck’ is displayed, click the menu and select ‘check decks’ until the deck is listed without italics and deck control is re-established. If this button displays a log icon, click the button to switch to capture mode and the cap icon should appear. The ‘toggle source’ button should show the icon of a deck. If a red circle-slash symbol is present, click the button to enable deck control and make the red symbol disappear.

Click the ‘capture’ button. Use the ‘deck controller window’, or use the standard j, k, l shortcut keys, to shuttle backwards, pause and shuttle forwards on the deck and locate the video you want to capture. The icon will alternate between in and out so you only have to click the one button to mark all your in and out points. This can be more convenient that using the separate ‘mark in’ and ‘mark out’ buttons in the deck controller window. Alternatively use the “i” and “o” keys on the keyboard to mark in and out points.

Double-click on a sequence, in your project bin, to open it into the timeline window. Set ‘output mode’ to real-time, bit depth to bit, and deck control to ‘remote’.

Autodesk Smoke brings together editing, compositing and 3D effects into a single workspace. Smoke captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control. Before installing Autodesk Smoke, make sure that both the Blackmagic Design drivers and your video device are properly installed. Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware.

Launch Smoke and the ‘project’ and ‘user settings’ window will appear. Choose your. Otherwise, create a new project. Set the project settings to match your delivery settings, i. Most of these settings. Choose your intermediate format, such as ‘ProRes HQ’ or even ‘uncompressed’ for your.

Remember to choose a format that your storage can handle. Connect an RS deck control cable from the serial port on your VTR to the remote control port of your Blackmagic Design capture and playback device. Connect a sync generator to the sync input of the VTR to ensure frame-accurate capture. If you have a separate audio device, an audio sync signal must be connected to it as well.

Before starting Autodesk Smoke, you must use a utility called Smoke setup to select the model of the VTR s in your facility and its appropriate timing settings. In the ‘general’ tab, make sure that ‘video device’ and ‘audio device’ are set to BMD. Select a folder in the media library where you want the captured clip to be created.

Select the video and audio channels you wish to record. The buttons will turn red to let you know which tracks are enabled. Click ‘capture’ to start the capture. The timecode field will turn green to indicate that capture is in progress. End the capture at any time by clicking anywhere over the preview window. The clip will automatically be saved to the location that you selected before entering the VTR input module. Load a clip into the VTR output module and set the ‘in’ and ‘out’ points for the output clip.

If needed, you can also enable the options to offset the start frame for output and to apply a letterbox overlay. Choose the clip s to output from the media library. You can also select a folder if you wish. Select the VTR in the device name box. The preview window displays the video from the. Make sure that the correct video track and audio channel buttons are enabled so that the.

Enable or disable ‘all audio’ in the ‘clip output’ menu. When all audio is enabled, every. To output the selected clip starting at any frame other than the first one, enter the start. To output the clip to the VTR, select ‘insert’ from the ‘output’ box. The clips with ‘status’ selected.

During output, the status of each clip will be updated to ‘pending’, ‘output’,. Cue to the In timecode and then select ‘play’ to check that the transfer was successful. Set your ‘in’ and ‘out’ points, then select Insert from the ‘output’ dropdown menu. Autodesk Smoke allows you to capture a live video signal or crash-record a clip by using a tablet pen or a mouse to start and stop the clip input or output process. When you choose this form of capture, Autodesk Smoke checks the available space on your Autodesk media storage device to determine the available space, which varies depending on your preferred intermediate format.

Choose a folder from the ‘media library’ where you would like the captured clip to be created. The incoming live video signal appears in the preview window.

Select the ‘start on pen’ mode. End the capture by using ‘stop on pen’ or ‘stop on frames’. Traditionally, Autodesk Smoke was operated with a tablet and pen, hence the ‘start on pen’ terminology. When ‘stop on pen’ is selected for capture stop mode, the out point and the duration timecode fields will be updated to show the longest possible clip that can be recorded on your Autodesk Media storage device.

The capture will either end when you click anywhere on the screen or when your storage fills up. Enter the clip name and enable the video tracks and audio channels that you want to capture.

Select the clip s to output from the ‘media library’. You can also select a folder to output its contents. The VTR output module appears. The ‘start mode’ box is unavailable. With ‘live video’ output, you must use ‘start on pen’ mode. You can use ‘stop on pen’ or ‘stop on frames’ to end the output. Set output options. For example, enter the clip name and enable the video tracks and audio channels that you want to capture.

On the device receiving the signal, start the recording, or take any action required to enable the reception of the signal from Autodesk Smoke. Use the preferences window to set project video format, capture file format, storage location and other settings. Media Express automatically detects your input video format and sets the ‘project video format’ to match. If you want to set the project video format manually:.

DeckLink supports more editing, design and video software than any other capture card, freeing you to work with your favorite creative software. They also work with any Mac, Windows and Linux applications. Create stunning visual effects with Fusion, After Effects and Photoshop. Perform unparalleled color correction using DaVinci Resolve. With such a wide range of software support, DeckLink is perfect for every part of your workflow! You get bit float YRGB processing for all effects, power windows, tracking, primaries and secondaries, and 3D object tracking.

DeckLink cards were developed to be the perfect solution for DaVinci color grading and have been designed to perfectly match the powerful features in the latest DaVinci Resolve! DeckLink supports playback with absolute sample accurate AV sync. The included Media Express software lets you manage capture from external devices such as decks with wide metadata support. DeckLink is the highest quality editing solution for Premiere Pro and fully supports the Mercury Playback engine for incredible realtime effects.

QuickTime uncompressed files from Macs can also be played back for cross-platform media sharing! Capture and play back in full 10 bit uncompressed and quality, or directly in Avid DNxHD or other popular compressed formats. Media Composer has fast and familiar operation along with a bit architecture that lets you play back complex layered effects in real time.

DeckLink is the perfect choice for professionals looking for the best possible Avid workflow! Blackmagic Media Express software comes free with every DeckLink card. LiveKey lets you insert logos and other graphics in real time using SDI outputs.

Disk Speed Test checks your disk array and gives you an easy to understand speed test with the results in video frames per second! Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects. DeckLink cards are perfect for broadcast design because they deliver the high quality and reliability you need for working under pressure in broadcast workflows!

Learn more about Media Express. Learn more about Models. Learn more about Tech Specs. Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In. New Zealand. South Africa. Chinese Taipei. United Kingdom. United States. Find Reseller. Supports your favorite software! Premiere Pro DeckLink is the highest quality editing solution for Premiere Pro and fully supports the Mercury Playback engine for incredible realtime effects. Blackmagic Utilities Included!

Compatible with leading Broadcast Design Tools Add amazing effects and graphics to your work. Cinema 4D. Photoshop CC. After Effects CC. Broadcasting Design Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects. Avid Pro Tools. Apple Logic. Steinberg Cubase. Steinberg Nuendo. Live VJ Resolume software supports all DeckLink capture and playback products straight out of the box! Streaming DeckLink is fully compatible with popular video and audio streaming software so you can get your live stream to millions of online viewers!

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It even lets you develop once and then easily deploy your solution across the entire range of DeckLink capture cards. Learn more about Installation. Learn more about Media Express. Learn more about Models. Learn more about Tech Specs. Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In. New Zealand. South Africa. Chinese Taipei. United Kingdom. United States. Find Reseller. Supports your favorite software!

Premiere Pro DeckLink is the highest quality editing solution for Premiere Pro and fully supports the Mercury Playback engine for incredible realtime effects. Blackmagic Utilities Included! Compatible with leading Broadcast Design Tools Add amazing effects and graphics to your work. Cinema 4D. Photoshop CC. After Effects CC. Broadcasting Design Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects.

Avid Pro Tools. Apple Logic. Steinberg Cubase. Steinberg Nuendo. Live VJ Resolume software supports all DeckLink capture and playback products straight out of the box!

Streaming DeckLink is fully compatible with popular video and audio streaming software so you can get your live stream to millions of online viewers! Final Cut Pro X defaults to using ProRes compression but you can switch this to Uncompressed bit for an uncompressed workflow.

Once you have captured the clips, you can import them in to Final Cut Pro X for editing. When capturing clips with Media Express, make sure you choose one of the video formats that is also supported by Final Cut Pro X, i. Once you have completed a project in Final Cut Pro X, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware. Click ‘next Refer to the Blackmagic Media Express section of this manual for ‘Editing video and audio files to tape’.

If using a single computer monitor, open Blackmagic Desktop Video Utility and send black when not playing video. Avid Media Composer captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control. Blackmagic plug-ins for Media Composer are automatically installed if Media Composer is installed before the Desktop Video software.

Select the folder in which you want to create the project: Private, shared or external. Type a project name and set the project options including format, color space and stereoscopic. Click OK. The color space and stereoscopic settings can be changed later in the ‘format’ tab of the project. Double-click the project name in the ‘select project’ dialog box.

The Media Composer interface will appear along with the project window for your new project. You have completed setting up your project.

Double-click the imported file to play it in a pop-up monitor. You should now see the image on both your computer monitor and your Blackmagic Design hardware output. Many video sources including all kinds of modern cameras and disk recorders, as well as old cameras and VHS tape players, do not have any device control. To capture video without deck control:.

Click the ‘toggle source’ button so that the button’s icon of a deck shows a red circle-slash symbol. This symbol indicates that deck control has been disabled.

Select the video source track V and the audio source tracks A1, A2, From the ‘res’ resolution menu, choose which compressed or uncompressed codec you wish to use for your captured clips.

For uncompressed 8-bit video, select “” or ” 10b” for bit. Select the disk storage for your captured video and audio. Select the target drive s for your captured media from the ‘target drives’ menu s. Click the ‘tape name? Select the desired tape, or alternatively add a new one and click OK. Step 9. Ensure your video and audio source is ready or playing and then click the ‘capture’ button. The capture button will flash red while recording. Click the capture button again to end the capture.

Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button. In the ‘deck preferences’, enable the option to ‘relax coincidence point detection’. Set the ‘cap’ and ‘toggle source’ buttons to use deck control. Use the ‘deck controller window’ to cue the tape and start playing. If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control.

From your project window, click the settings tab and double-click on ‘deck configuration’. In the ‘deck configuration’ dialog box, click ‘add channel’ and then set the channel type to ‘direct’ and the port to ‘RS deck control’.

If this option is left unchecked, you will only be able to perform insert edits. Enable the option to ‘relax coincidence point detection’ and set other settings as needed. You have completed setting up the RS connection to your deck. To test the remote connection ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck. Set the deck to ‘remote’. Open the ‘capture tool’ and use the standard J, K, L shortcut keys to control the deck.

If a deck name appears in italics or ‘no deck’ is displayed, click the menu and select ‘check decks’ until the deck is listed without italics and deck control is re-established. If this button displays a log icon, click the button to switch to capture mode and the cap icon should appear. The ‘toggle source’ button should show the icon of a deck. If a red circle-slash symbol is present, click the button to enable deck control and make the red symbol disappear.

When you have finished logging in and out points, open the logging bin, select the clips you want to capture. Once you have captured your clips, dragged them in to the timeline, edited them and applied and rendered any effects, you will want to record the completed project to tape. Double-click on a sequence, in your project bin, to open it into the timeline window. Set ‘output mode’ to real-time, bit depth to bit, and deck control to ‘remote’.

From the ‘edit menu’, choose to ‘insert edit’ or ‘assemble edit’ for precise edits onto a timecode striped tape. Alternatively choose ‘crash record’ for an easy way to record.

Press the ‘play digital cut’ button red triangle icon to record your sequence to tape. Autodesk Smoke brings together editing, compositing and 3D effects into a single workspace.

Smoke captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control. Before installing Autodesk Smoke, make sure that both the Blackmagic Design drivers and your video device are properly installed. Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware. Launch Smoke and the ‘project’ and ‘user settings’ window will appear.

Choose your. Otherwise, create a new project. Set the project settings to match your delivery settings, i. Most of these settings. Choose your intermediate format, such as ‘ProRes HQ’ or even ‘uncompressed’ for your. Remember to choose a format that your storage can handle. Connect an RS deck control cable from the serial port on your VTR to the remote control port of your Blackmagic Design capture and playback device.

Connect a sync generator to the sync input of the VTR to ensure frame-accurate capture. If you have a separate audio device, an audio sync signal must be connected to it as well. Before starting Autodesk Smoke, you must use a utility called Smoke setup to select the model of the VTR s in your facility and its appropriate timing settings.

Click ‘capture’ to start the capture. The timecode field will turn green to indicate that capture is in progress. End the capture at any time by clicking anywhere over the preview window.

The clip will automatically be saved to the location that you selected before entering the VTR input module. Load a clip into the VTR output module and set the ‘in’ and ‘out’ points for the output clip. If needed, you can also enable the options to offset the start frame for output and to apply a letterbox overlay. Choose the clip s to output from the media library. You can also select a folder if you wish. Select the VTR in the device name box.

The preview window displays the video from the. Make sure that the correct video track and audio channel buttons are enabled so that the. Enable or disable ‘all audio’ in the ‘clip output’ menu. When all audio is enabled, every. To output the selected clip starting at any frame other than the first one, enter the start. To output the clip to the VTR, select ‘insert’ from the ‘output’ box. The clips with ‘status’ selected. During output, the status of each clip will be updated to ‘pending’, ‘output’,.

Cue to the In timecode and then select ‘play’ to check that the transfer was successful. Set your ‘in’ and ‘out’ points, then select Insert from the ‘output’ dropdown menu. Autodesk Smoke allows you to capture a live video signal or crash-record a clip by using a tablet pen or a mouse to start and stop the clip input or output process. When you choose this form of capture, Autodesk Smoke checks the available space on your Autodesk media storage device to determine the available space, which varies depending on your preferred intermediate format.

Choose a folder from the ‘media library’ where you would like the captured clip to be created. The incoming live video signal appears in the preview window. Select the ‘start on pen’ mode. End the capture by using ‘stop on pen’ or ‘stop on frames’. Traditionally, Autodesk Smoke was operated with a tablet and pen, hence the ‘start on pen’ terminology.

When ‘stop on pen’ is selected for capture stop mode, the out point and the duration timecode fields will be updated to show the longest possible clip that can be recorded on your Autodesk Media storage device. The capture will either end when you click anywhere on the screen or when your storage fills up. Enter the clip name and enable the video tracks and audio channels that you want to capture.

Select your ‘project video format’ from the dropdown menu at the top of the preferences window. You can choose from a range of compressed and uncompressed capture formats, or even a DPX image sequence from the ‘capture file format’ drop down menu. Video will be captured in the chosen format and saved as a QuickTime movie. Set the storage location for your captured video and audio. Click the ‘browse’ button to point the software to a folder on your computer.

Choose whether to stop capture or playback if dropped frames are detected. Standard definition projects use the aspect ratio unless you enable the ‘use anamorphic SD ‘ checkbox. Applications will normally stop playing video if you send them to the background. Tick the checkbox ‘continue playback when in the background’ if you want Media Express to keep playing video even if you open another application.

The final options relate to tape decks with RS deck control and include pre-roll and timecode offsets. Capturing video is easy and all you need to do is connect a video source, wait for Blackmagic Media Express to detect your input and press the ‘capture’ button.

Start by connecting your video source to an input of your Blackmagic Design hardware. Launch Blackmagic Desktop Video Utility and check that the ‘set video input’ setting is the same as your video source, e. Your source video will appear in the preview pane. Enter a description into the ‘description’ field. To increment the value in each of these fields, click the corresponding clapper board icon.

Alternatively, type directly into any field to customize its name and number. The text in the automatic name field will be applied to the clip s about to be captured. To log the clip as a favorite, click the star icon next to the name field. For a clip name confirmation prompt to appear before every capture, click the ‘! Click the ‘capture’ button to start recording. To stop the capture and keep the clip, click the ‘capture’ button again or press esc.

The captured clips are added to the media list on the left side of Media Express. If the video input format changes from the project video format, Media Express will automatically detect it and will prompt you to save the current project and create a new one.

Ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck. Use the standard j, k, l shortcut keys to shuttle backwards, pause and shuttle forwards.

Click the ‘log clip’ button to log the clip, or use the shortcut key p. The entry should now appear in the media list with a red X in its icon to indicate the media is offline. Select a project video format with “3D” in its name to capture dual-stream stereoscopic 3D video clips. In Thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon. Right-click on the selection and select batch capture.

Go to the ‘file’ menu and choose batch capture. When the capture has been completed, a single thumbnail will appear in the media list representing the entire frame sequence. The sequence of DPX frames will be stored in its own folder in your disk storage.

If you aren’t performing long DPX captures, you may wish to reduce the number of zeroes in the frame numbers by changing the option, ‘when capturing DPX files, use digit numbers in the frame count’.

When Media Express is used with a Blackmagic Design video hardware model that supports dual-stream 3D, you can create left and right eye 3D video clips by capturing 2 streams of HD-SDI video simultaneously. Create a 3D project which matches the frame rate of your dual stream 3D video source. In Timecode List view, the left and right eye clips are listed on two lines and linked together by a 3D indicator.

When capturing and logging dual stream 3D in Media Express, the clip name will be applied to the left eye video. The Media List presents an eye-catching indication that the captured clip is a 3D clip:.

In thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon. In timecode list view, the left and right eye clips are listed on two lines and linked together by a 3D indicator. For more information about H. You can use the transport controls to play, stop, jump to the next or previous clip and loop playback. If the imported clips do not match the existing clips, you will be prompted to create a new project.

To play back a single clip, double-click the clip in the media list. Alternatively, select the clip in the media list and press the space bar on your keyboard or the play button in the transport controls. To play back multiple clips, select the clips in the media list and then press the space bar on your keyboard or the play button in the transport controls.

Your video will play back in the video preview pane of Media Express and on all the video outputs of your Blackmagic Design video hardware. You can play back your video and audio files after importing media into Media Express in any of the following ways:. Right-click an empty area of the media list and select ‘import clip’ from the contextual menu.

Go to the ‘file’ menu, select import and then ‘media files’. Select the video and audio clip s you wish to import from the ‘open video clip’ dialog box. The clips will appear in the ‘scratch’ area of the media list.

If you have created your own bins in the media list, you can drag the clips into the desired bin. To import directly to a bin, right-click within the desired bin and select ‘import clip’ from the contextual menu. If the files being imported do not match the frame rate and size of existing clips in the media list, you will be prompted to create a new project and to save the current project. Select the EDL and open it.

The logging information will appear in the media list. Select the logged clips and perform a batch capture to import the clips from your deck. In the media list, choose to view your clips in ‘timecode list’ view or ‘thumbnail’ view.

Click the ‘favorites’ button to show only your favorite clips. Type in the search field to find your favorite clips. Thumbnails are the most intuitive way to display your clips.

Hover your mouse over the clip’s thumbnail and then click on the popup info icon at the bottom-right of the thumbnail. Click the info bubble to hide it. You can view your clips in ‘timecode list’ view by clicking on the ‘timecode list’ button at the top-right of the media list. Use the horizontal scroll bar to view all the columns of information for your clips.

To create a bin, right click an empty spot in the media list and select ‘create bin’. Name the new bin. You can move clips around by dragging the clip icons to the desired bin.

If you want a clip to appear in more than one bin, import the same clip again by right-clicking on the bin and choosing ‘import clip’. By default, logged clips appear in the ‘scratch’. If you want to log clips and have them appear in a new bin, right-click the new bin and choose ‘select as log bin’. In the ‘log and capture’ tab, click the ‘star’ icon next to the name field if you want to log a clip as a favorite.

In the ‘playback’ tab, clicking the star icon will make the clip a favorite if it is selected in the media list. Click the star icon again to deselect it as a favorite. Clips marked as favorites will show a yellow star in their icon in ‘timecode list’ view and ‘thumbnail’ view. Once you have marked clips as favorites, click on the ‘show only favorites’ button at the top of the media list. The star icon will turn yellow.

All clips will be hidden except for those marked as favorites. In the ‘log and capture’ tab, click the ‘star’ icon next to the name field if you want to log the clip as a favorite. To delete clips, select the unwanted clips and press the forward delete button on your keyboard. This will only delete the clips from the media list and they will safely remain on your disk storage. To delete bins, right-click within a bin and choose ‘delete bin’. This action will delete the bin and any clips it contained.

The media list presents a highly visible indication that the imported clip is a 3D clip. The media list presents a highly visible indication that the video and audio clips are linked. Select a 3D project video format that is the same frame rate as your 3D media. Right-click on the left eye file and select “set right eye clip” from the contextual menu.

When used in conjunction with the favorites feature, the search will be confined to your favorite clips so you will see a shorter list of found clips. Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions.

Enter a new password. Blackmagic Design. DeckLink 4K Extreme. Welcome to Desktop Video! Lastly, please register your Blackmagic Design video hardware when downloading software updates.

Windows Desktop Video runs exclusively on bit versions of Windows, with the latest service pack installed. Windows 7, Windows 8 and Windows 10 are supported. If your Blackmagic Design video hardware connects to your computer via Thunderbolt, a PC with a Thunderbolt port is required. Make sure your computer is Thunderbolt 3 compatible by looking for the Thunderbolt icon near its USB-C connector, as shown below. Connecting Video Hardware with Thunderbolt Step 1.

Secure the side panel to your computer and reconnect power. To install a PCIe adapter card: Step 1. Restart your computer to enable the new software drivers. Automatic Updates When your Mac restarts the software will check the internal software version of your hardware. Windows Installation Step 1.

Automatic Updates. Linux Installation Step 1. There are three sets of packages provided: The desktopvideo package provides the core drivers and API libraries. Updates If you have installed the graphical utilities, you will be automatically notified when you need to update the internal software.

Click the ‘capture’ button to commence recording. Capturing and Playing back Video It’s a good idea to run a quick test to ensure you can successfully capture and play back video.

Setting-Up Step 1. Connect a video source to the input of your Blackmagic Design hardware. Testing Video Capture Step 1. Testing Video Playback Step 1. Click on the ‘playback’ tab. Capturing H. To capture video using the built in H. Blackmagic Desktop Video Utility home page. Introducing Blackmagic Desktop Video Utility Blackmagic Desktop Video Utility provides a central location for configuring hardware settings, plus a realtime status display showing the video connected to your hardware’s inputs and outputs.

Click on an icon to set your video input connection. Video Settings Video Input Click on a connector icon to set the ‘video input’ connection for your Blackmagic Design hardware. Enable the checkbox to capture timecode from the dedicated XLR input.

Drag the sliders to adjust chroma and luminance levels on analog video. Set the output format to match your Final Cut Pro X project. Black: Sends black frames to your outputs. Line by Line: the left and right eye images are carried on alternate video lines without compression. Left Eye: only the left eye image is displayed.

Right Eye: only the right eye image is displayed. Analog Video Output Levels Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video. Reference Input The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. Click on a connector icon to set your ‘audio input’ connection. Drag the ‘input level’ slider to control your microphone input level.

Adjust the output channel sliders to control your analog audio output levels. Audio Settings Audio Input Click on a connector icon to set your ‘audio input’ connection for your Blackmagic Design hardware.

You can select from the following inputs: Embedded: includes audio channels as part of video signals. XLR: is a three pin audio connector that is predominantly used by professional analog audio equipment. Reset Icon When adjusting sliders, you may want to cancel your change.

Conversions Settings. Input Conversion This setting enables realtime up and down conversion during capture. Output Conversion This setting enables realtime up and down conversion during playback. About Driver The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated. Select your format from the ‘video capture and playback’ menu.

Setting Up Step 1. Using Resolve Live Step 1. Editing with DaVinci Resolve Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Editing Step 1. After Effects CC Select an option to output unsupported frame sizes. Click on the ‘scratch disks’ tab to set the locations for your captured video, captured audio, video previews and audio previews.

Set the Capture Format to Blackmagic capture and click ‘settings’ [Mac] or ‘properties’ [Win] to set the video standard and video format. Device Control Many Blackmagic Design capture and playback models feature RS device control for controlling decks.

Export to tape. To export to tape via RS deck control: Step 1. Final Cut Pro X. Set the ‘output format’ to match your Final Cut Pro X project format. Launch Final Cut Pro X and create a new project. Type a name and choose a location for the new project. Playback Step 1. Import some clips in to your new project. Editing to Tape Once you have completed a project in Final Cut Pro X, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware.

Select your clips from the timeline in Final Cut Pro X. Avid Media Composer. Launch Media Composer and the ‘select project’ dialog box will appear. Choose your preferred ‘user profile’ if you have previously created one. Click the ‘new project’ button. Capture from Controllable Devices with UltraStudio, DeckLink and Teranex If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control.

Under the settings tab, double-click on ‘deck preferences’.

We hope you share our dream for the television industry to become a truly creative industry by allowing anyone to have access to the highest quality video. Previously high end television and post production required investment in millions of dollars of hardware, however with Blackmagic Design video hardware, even Ultra HD 60p is now easily affordable. We think it should take you approximately 10 minutes to complete installation. Before you install Blackmagic Design video hardware, please check our website at www.

Lastly, please register your Blackmagic. Design video hardware when downloading software updates. We would love to keep you updated on new software updates and new features. Perhaps you can even send us your latest show reel of work completed on your Blackmagic Design video hardware and any suggestions for improvements to the software.

We are constantly working on new features and improvements, so we would love to hear from decklink extreme pcie driver download This manual takes you through computer system requirements, installing hardware and software and using your favorite third party software.

PCIe apc powerchute server r2 lane cards should work in any slot. PCIe x4 lane cards require a x4 lane or faster slot. DeckLink 4K Extreme 12G requires an x8 lane or узнать больше здесь slot.

Desktop Video runs exclusively on bit versions of Windows, with the latest service pack installed. Desktop Video runs on bit and bit x86 computers running Linux 2. Please refer to the release notes for the latest list of supported Linux distributions, package decklink extreme pcie driver download and software dependencies.

Make sure. Step 1. If your Blackmagic Design читать далее hardware includes an external power supply, connect it to the unit and switch on the power. Step 2. Connect a Thunderbolt cable between the unit and a Thunderbolt port on your computer. Alternatively, you can connect to your computer’s Thunderbolt disk array.

You can easily confirm this by looking for the number ‘3’ printed on the connector. Step 3. If Desktop Video software has previously been installed and decklink extreme pcie driver download to update the internal software, click ‘update’ and follow any onscreen decklink extreme pcie driver download. Step 4. If a breakout cable is supplied, connect it to the Blackmagic Design video hardware and plug the connectors into your video equipment. Connect the breakout cable if one is supplied with your Blackmagic Design card.

Some models also include an HDMI bracket as pictured above. If you need to supply external power to your DeckLink 4K Extreme 12G you can easily use the supplied power adapter cable. Simply disconnect the power from your graphics card and plug it into the adapter cable.

The plug will only connect to one end so there’s no way to connect it incorrectly. Please be careful when здесь your DeckLink Decklink extreme pcie driver download card to avoid damaging delicate components on the card. Remove the power plug from your computer and ensure that you are statically discharged. If you need to connect external power to your Decklink 4K Extreme 12G, refer to the ‘connecting external power’ section in this manual for instructions.

Replace the decklink extreme pcie driver download of your computer, connect any supplied breakout cables and switch it on. Step decklink extreme pcie driver download. For more information about Blackmagic’s Desktop Video software, refer to the ‘Blackmagic Desktop Video Utility’ section in this manual.

Remove the power plug from your computer and ensure you are statically discharged. Remove the side panel from your computer and check to see if your computer’s power supply unit has a spare power cable. If so, you can connect it directly to your DeckLink card. If you have a powered graphics card that’s already using any spare cables from the power supply, you will need to use the supplied Y shaped adapter cable to send power to both your graphics card and DeckLink card.

Now plug one of the two Y connectors into your graphics card and the other into your DeckLink card. The connectors are 6 and 8 pin compatible. You should now have power supplied to both your graphics card and DeckLink card.

We have built a PCIe Gen 3 adapter card for decklink extreme pcie driver download purpose. Secure the PCIe adapter card bracket with screws. Connect the power cable to your UltraStudio 4K Extreme to power it up and then switch on your http://replace.me/8665.txt. The supplied extension cable is connected to the PCIe port located at the back of your computer.

The table below lists the applications, plugins and drivers that are included when you install the. Ensure you have the very latest driver. Visit www. Launch the Desktop Video Installer from the media included with your hardware or from a downloaded disk image. Click the ‘continue’, ‘agree’ and ‘install’ buttons to install the software. When your Mac restarts the software will check the internal software version of your hardware.

If the internal software version does not match the driver version, you will be prompted to update the internal software. Click OK to start the update and restart your Mac to complete the process. The drivers will now be installed on your system.

If you have a DeckLink Quad 2 installed in a Windows 7 computer, Windows Update will attempt to check each driver in case a decklink extreme pcie driver download version is available. In this particular case it is unnecessary as all drivers in the latest Desktop Video release are the most recent. The installation will now be a lot faster. When your computer restarts the software will check the internal software version of your hardware.

Click OK to start the update and restart your computer to complete the process. Download the latest Desktop Video software for Paretologic pc health advisor 3.1.2 with license key from www. Open the Desktop Video folder and navigate to the packages required for your distribution and architecture.

Нажмите чтобы прочитать больше that ‘amd64’ refers to Intel and Decklink extreme pcie driver download bit processors. There are three sets of packages provided:. The desktopvideo-gui package provides the Desktop Video Utility software. The mediaexpress package provides a simple capture and playback utility. Double click the packages you wish to install and follow the onscreen instructions.

If you see any messages about missing dependencies, ensure they are installed first and then rerun the Desktop Video installer. When the installer has finished it is recommended that you restart your http://replace.me/29636.txt to complete the installation process.

If you cannot find a native Desktop Video package for your Linux distribution, or if you prefer to install from a command line, refer to the ReadMe file for detailed installation instructions. If you have installed the graphical utilities, you will be automatically notified when you need to update the internal software. When your computer restarts, the software will check нажмите для продолжения internal software version of your hardware.

Click ‘ok’ to start the update and restart your computer to complete the process. If you have not installed the graphical utilities, you can check the internal software is up to decklink extreme pcie driver download using the BlackmagicFirmwareUpdater command line tool:. It’s a good idea to run a quick test to ensure you can successfully capture and play back video. Connect a monitor or TV to the video output of your Blackmagic Design hardware.

Click ‘capture’ again to finish the test. The captured clip is added to the media list on the left side of Media Express. Double-click the test clip. The video and any present audio will be sent to the monitor connected to your hardware’s output.

To capture H. Set the bitrate for H. This gives you the ability to capture video using encoding technology that maintains stunning video quality at the lowest possible bitrate. Launch the Blackmagic Media Express software. Set the bitrate for your H. Drag the ‘encoding settings’ slider to the left if you need to capture video with a smaller file size and a lower bitrate, or drag to the right if file sizes are not an issue and you want the best possible video quality.

Setting the bitrate too low will result in compression artifacts in your picture, decklink extreme pcie driver download as visible macro-blocking, pixelation or banding. However, the H. Decklink extreme pcie driver download encoding H. For example, if there читать далее a large number of people streaming your video, you may need to lower the bitrate in your encoding so audience members with slower internet connections can watch without download interruptions.

Decklink extreme pcie driver download bitrates are better for video content with lots of contrast and movement between frames, such as bright to dark, or high energy sporting events and graphics.

They also work with any Mac, Windows and Linux applications. Create stunning visual effects with Fusion, After Effects and Photoshop.

Perform unparalleled color correction using DaVinci Resolve. With such a wide range of software support, DeckLink is perfect for every part of your workflow! You get bit float YRGB processing for all effects, power windows, tracking, primaries and secondaries, and 3D object tracking.

DeckLink is the highest quality editing solution for Premiere Pro and fully supports the Mercury Playback engine for incredible realtime effects. QuickTime uncompressed files from Macs can also be played back for cross-platform media sharing! Capture and play back in full 10 bit uncompressed and quality, or directly in Avid DNxHD or other popular compressed formats.

Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects.

DeckLink cards are perfect for broadcast design because they deliver the high quality and reliability you need for working under pressure in broadcast workflows! By adding a DeckLink card to your ProTools system, you can confidently play video and audio together while mixing to avoid dropped audio and lip sync misalignments.

Adjust the video slider to set composite analog video output levels, and the Cb and Cr sliders for controlling color balance when using component video.

Idle Output: Use this setting to choose what is displayed on the video output when video is not being played. Last Frame Shown: Outputs the last frame of the video clip or sequence last played.

Frame Packing: combines left and right eye images into a single frame without compression. Line by Line: the left and right eye images are carried on alternate video lines without. Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video.

Click the ‘link’ icon to connect them if you want to adjust them simultaneously. Enable the checkbox if working with Sony Betacam SP decks. PAL and high definition formats do not use this setting. If locking to a reference, adjust this setting to time the video output relative to the reference input.

The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. This is commonly used in large broadcast facilities where the video output needs to be accurately timed. The reference adjustment is in samples so you can get an extremely accurate timing adjustment down to the sample level.

A common example of how this setting would be used is where all the hardware in your facility has a stable common reference connected and then all the devices would have the timing set so the video outputs all match perfectly.

Click on a connector icon to set your ‘audio input’ connection for your Blackmagic Design hardware. You can select from the following inputs:. Embedded: includes audio channels as part of video signals. XLR: is a three pin audio connector that is predominantly used by professional analog. Microphone: Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones.

Be sure to wait at least 10 seconds for phantom power to discharge after disconnecting before plugging in a self powered microphone. Older ribbon type microphones and dynamic microphones are not suitable for phantom power usage. Press the reset icon to reset the gain to 0 dB. If you want to connect consumer audio equipment to the XLR connectors, make sure you enable the ‘use HiFi audio levels’ checkbox as the audio levels between professional and consumer equipment differ.

Output conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.

The following table outlines the different aspect ratio selections available during conversions. You can also generate a status report and enter product notes specific to your hardware.

The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated. You can also generate a status report by clicking on the status report ‘create’ button, which lets you save a file containing technical information such as the video format detected on your input and output, color space, color sampling and bit depth, driver information, operating system and machine information.

When using live grading on-set, simply connect the output of the camera to the input of your Blackmagic Design hardware. Then connect the hardware’s output to an on-set monitor for grading evaluation and viewing. Launch DaVinci Resolve. Save your preferences and restart DaVinci Resolve to apply your changes. Start a project and from within the ‘project settings’ window, set the resolution and frame rate to match your camera.

In Resolve Live mode, the ‘freeze’ button snowflake icon freezes the current incoming video frame, so you can grade it without being distracted by motion occurring during the shoot. Snapshots are simply one-frame clips. Use the ‘project settings’ window to set your timeline format and video monitoring options. Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Whether you use the mouse to drag and drop clips, or your keyboard for precision editing, DaVinci Resolve is easy to learn and features all of the functionality professional editors require.

Under ‘video devices’, select Blackmagic Playback. You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware. The ‘Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware.

Create a ‘new project’ and set the desired ‘location’ and ‘name’ for your project. Click on the ‘scratch disks’ tab to set the locations for your captured video, captured audio,. Set the Capture Format to Blackmagic capture and click ‘settings’ [Mac] or ‘properties’. Click OK and your project will open.

Select the desired Blackmagic. Many Blackmagic Design capture and playback models feature RS device control for controlling decks. Select ‘Blackmagic playback’ in both the ‘audio device’ and ‘video device’ menus. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted from your Blackmagic Design hardware. You can scale your. For example, if New Sequence you are using UltraStudio 4K and your Premiere sequence is set to a resolution of x , scaling.

To immediately capture, or to capture from a non-controllable device, click the red record button [G]. If you wish to log the clip using RS deck control, enter the desired in and out points using either the ‘set in’ and ‘set out’ buttons, or manually by typing the timecode and clicking ‘log clip’.

The empty clip will now appear in the ‘project’ window. Repeat this until you have logged all of the clips you wish to batch capture. To set handles on the clips, enable the option to capture with handles and type the number of additional frames you require at the start and end of each clip. Choose between two export types: insert and assemble. Insert editing requires unbroken timecode over the full length of the project which is to be laid to tape. As assemble editing erases the tape ahead of the record heads, it should not be used where other projects already exist on the tape after the out point of your edit.

On Mac, go to system preferences and select ‘built-in mic’ as the input and ‘internal speakers’ as the output. If the capture format does not match the output format, it can cause confusion for the deck during preroll and audio might not be exported. When editing to tape, the software waits at the first frame of your project for the deck to drop into record at the predetermined timecode.

You should only need to do this once with any combination of deck and computer and the correct setting will be retained. You can use the broadcast monitoring feature of Final Cut Pro X You can also use two computer monitors for the Final Cut Pro X interface.

Ensure you are running Final Cut Pro X Open Blackmagic Desktop Video Utility. Go to ‘output format’ and then set the same format that you will use in your Final Cut Pro X project, e.

HD p The format should be the same as the video format of your clips. Set the ‘video properties’ to ‘custom’ and then set the format, resolution and frame rate to match the output format set in Blackmagic Desktop Video Utility. Step 6. Set the ‘audio and render properties’ to ‘custom’. Set the audio channels to stereo or you can choose ‘surround’ for 6 audio channels.

You can now use the Final Cut Pro X timeline on your computer monitor and view the video preview on the monitor or TV connected to the output of your Blackmagic Design video hardware.

Click ‘settings’ and select your desired video codec from the dropdown menu. You can use Blackmagic Media Express to capture video and audio with your Blackmagic Design video hardware.

Click ‘next Refer to the Blackmagic Media Express section of this manual for ‘Editing video and audio files to tape’. If using a single computer monitor, open Blackmagic Desktop Video Utility and send black when not playing video. Avid Media Composer captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control. Blackmagic plug-ins for Media Composer are automatically installed if Media Composer is installed before the Desktop Video software.

Select the folder in which you want to create the project: Private, shared or external. Type a project name and set the project options including format, color space and stereoscopic.

Click OK. The color space and stereoscopic settings can be changed later in the ‘format’ tab of the project. Double-click the project name in the ‘select project’ dialog box. The Media Composer interface will appear along with the project window for your new project. You have completed setting up your project. Double-click the imported file to play it in a pop-up monitor.

Click the ‘tape name? Select the desired tape, or alternatively add a new one and click OK. Step 9. Ensure your video and audio source is ready or playing and then click the ‘capture’ button. The capture button will flash red while recording. Click the capture button again to end the capture. Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button.

You have completed setting up the RS connection to your deck. To test the remote connection ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck. Set the deck to ‘remote’. Open the ‘capture tool’ and use the standard J, K, L shortcut keys to control the deck. If a deck name appears in italics or ‘no deck’ is displayed, click the menu and select ‘check decks’ until the deck is listed without italics and deck control is re-established.

If this button displays a log icon, click the button to switch to capture mode and the cap icon should appear. The ‘toggle source’ button should show the icon of a deck.

If a red circle-slash symbol is present, click the button to enable deck control and make the red symbol disappear. Configure video and audio input, video and audio source tracks, target bin, res, target drive and tape name the same way as in ‘capture from non-controllable devices’.

Use the deck controller window in the ‘capture tool’ to cue the tape and start playing. Click the ‘capture’ button. Use the ‘deck controller window’, or use the standard j, k, l shortcut keys, to shuttle backwards, pause and shuttle forwards on the deck and locate the video you want to capture. The icon will alternate between in and out so you only have to click the one button to mark all your in and out points.

This can be more convenient that using the separate ‘mark in’ and ‘mark out’ buttons in the deck controller window. Alternatively use the “i” and “o” keys on the keyboard to mark in and out points. When you have finished logging in and out points, open the logging bin, select the clips you want to capture. Once you have captured your clips, dragged them in to the timeline, edited them and applied and rendered any effects, you will want to record the completed project to tape.

Alternatively choose ‘crash record’ for an easy way to record. Press the ‘play digital cut’ button red triangle icon to record your sequence to tape. Autodesk Smoke brings together editing, compositing and 3D effects into a single workspace. Smoke captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control.

Before installing Autodesk Smoke, make sure that both the Blackmagic Design drivers and your video device are properly installed.

Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware. Launch Smoke and the ‘project’ and ‘user settings’ window will appear. Choose your. Otherwise, create a new project. Set the project settings to match your delivery settings, i. Most of these settings. Choose your intermediate format, such as ‘ProRes HQ’ or even ‘uncompressed’ for your. Remember to choose a format that your storage can handle. Connect an RS deck control cable from the serial port on your VTR to the remote control port of your Blackmagic Design capture and playback device.

Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In. New Zealand. South Africa. Chinese Taipei. United Kingdom. United States.

Find Reseller. Connect to Virtually Any Video Device. Connecting to Decks and Monitors.

Cinema 4D. Photoshop CC. After Effects CC. Broadcasting Design Feature film and television post production demands the highest possible image quality for things such as color correction and visual effects.

Avid Pro Tools. Apple Logic. Steinberg Cubase. Steinberg Nuendo. Live VJ Resolume software supports all DeckLink capture and playback products straight out of the box! Streaming DeckLink is fully compatible with popular video and audio streaming software so you can get your live stream to millions of online viewers!

Setting the bitrate too low will result in compression artifacts in your picture, such as visible macro-blocking, pixelation or banding. However, the H. When encoding H. For example, if there is a large number of people streaming your video, you may need to lower the bitrate in your encoding so audience members with slower internet connections can watch without download interruptions.

Higher bitrates are better for video content with lots of contrast and movement between frames, such as bright to dark, or high energy sporting events and graphics.

Video with high frame rates also require higher bitrates compared to video at lower frame rates. Blackmagic Desktop Video Utility lets you adjust video and audio input and output settings, apply up or down conversions during capture and playback, and provides information about the driver. Blackmagic Desktop Video Utility provides a central location for configuring hardware settings, plus a realtime status display showing the video connected to your hardware’s inputs and outputs.

On Windows 8, from the ‘start’ page type ‘Blackmagic’ and then click the Blackmagic Desktop Video Utility application. The Desktop Video utility also launches from the Windows 10 ‘control panel’. On Linux, go to ‘applications’ and then ‘sound and video’ and double-click the Blackmagic Desktop Video Utility application. If you are sending a video signal to your input, it will be automatically detected and the format will be displayed under the Video Input icon.

If you have multiple Blackmagic capture and playback devices connected, you can cycle through them by clicking the arrow buttons on the sides of the home page.

The following pages of this manual will show you how to adjust settings using Blackmagic Desktop Video Utility. Click on a connector icon to set the ‘video input’ connection for your Blackmagic Design hardware. Only the connectors that are built into your hardware will be shown. When a valid video signal is detected, the input and video format will be displayed on the Blackmagic Desktop Video Utility home page. Dragging the video slider affects the luma gain and the chroma sliders decrease or increase the color saturation.

Adjust the video slider to set composite analog video output levels, and the Cb and Cr sliders for controlling color balance when using component video. Idle Output: Use this setting to choose what is displayed on the video output when video is not being played. Last Frame Shown: Outputs the last frame of the video clip or sequence last played. Frame Packing: combines left and right eye images into a single frame without compression. Line by Line: the left and right eye images are carried on alternate video lines without.

Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video. Click the ‘link’ icon to connect them if you want to adjust them simultaneously. Enable the checkbox if working with Sony Betacam SP decks.

PAL and high definition formats do not use this setting. If locking to a reference, adjust this setting to time the video output relative to the reference input. The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input.

This is commonly used in large broadcast facilities where the video output needs to be accurately timed. The reference adjustment is in samples so you can get an extremely accurate timing adjustment down to the sample level. A common example of how this setting would be used is where all the hardware in your facility has a stable common reference connected and then all the devices would have the timing set so the video outputs all match perfectly.

If you have an original DeckLink Quad installed in your facility and are using a custom designed SDK application, you can be confident that installing DeckLink Quad 2 will work in your system without having to make any changes to your application. Additional mapping features in your DeckLink Quad 2 will allow you to build on your existing system to provide even more input and output configurations if you need them.

Adjust the input channel sliders to control your analog audio input levels. Enable the ‘use HiFi audio levels’ checkbox if connecting consumer audio equipment.

Older ribbon type microphones and dynamic microphones are not suitable for phantom power usage. Press the reset icon to reset the gain to 0 dB. If you want to connect consumer audio equipment to the XLR connectors, make sure you enable the ‘use HiFi audio levels’ checkbox as the audio levels between professional and consumer equipment differ. When adjusting sliders, you may want to cancel your change.

The reset icon is the circular arrow located at the right of each settings’ title bar. Press the reset icon in each setting to restore the gain sliders to 0 dB.

To set your up or down conversion settings, select your input or output conversion from the respective dropdown menu, and click on the desired aspect ratio selection. Remember to click ‘save’ to apply your settings. This setting enables realtime up and down conversion during capture.

Select your desired conversion from the ‘input conversion’ dropdown menu. Input conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy. Display As: Select how you’d like your converted video presented. Depending on your input video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom.

Depending on your video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom. The following table outlines the different aspect ratio selections available during conversions. You can also generate a status report and enter product notes specific to your hardware. The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated.

Snapshots are simply one-frame clips. Use the ‘project settings’ window to set your timeline format and video monitoring options. Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects.

Whether you use the mouse to drag and drop clips, or your keyboard for precision editing, DaVinci Resolve is easy to learn and features all of the functionality professional editors require. Load a project, and from within the ‘project settings’ window, set your ‘timeline resolution’, ‘timeline frame rate’ and ‘playback frame rate’. Under the ‘video monitoring’ section, set your ‘video format’.

This is the format that will be used for the output from your Blackmagic Design hardware. Click the ‘save’ button to save the changes and close the project settings window. Use the browser on the ‘media’ page to load your clips into the media pool. On the ‘edit’ page, drag a clip from the media pool to the source viewer. You can set the in and out points in source clips by using the I and O keys.

To edit the clip into the timeline, simply drag and drop the clip from the source viewer into the timeline. Under ‘video devices’, select Blackmagic Playback. You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware. The ‘Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware.

Many Blackmagic Design capture and playback models feature RS device control for controlling decks. Select ‘Blackmagic playback’ in both the ‘audio device’ and ‘video device’ menus. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted from your Blackmagic Design hardware. You can scale your. For example, if New Sequence you are using UltraStudio 4K and your Premiere sequence is set to a resolution of x , scaling.

Insert editing requires unbroken timecode over the full length of the project which is to be laid to tape. As assemble editing erases the tape ahead of the record heads, it should not be used where other projects already exist on the tape after the out point of your edit. On Mac, go to system preferences and select ‘built-in mic’ as the input and ‘internal speakers’ as the output.

Ensure you are running Final Cut Pro X Open Blackmagic Desktop Video Utility. Go to ‘output format’ and then set the same format that you will use in your Final Cut Pro X project, e.

Final Cut Pro X defaults to using ProRes compression but you can switch this to Uncompressed bit for an uncompressed workflow. Click OK to complete the creation of your new project. Step 7. Go to the Final Cut Pro menu, choose ‘preferences’ and then click the ‘playback’ tab. Step 8. If you wish to monitor audio via your Blackmagic Design video hardware, open the ‘system preferences’, click the ‘sound’ icon, click the ‘output’ tab and then select ‘Blackmagic Audio’ for the sound output.

The Media Composer interface will appear along with the project window for your new project. You have completed setting up your project. Double-click the imported file to play it in a pop-up monitor. You should now see the image on both your computer monitor and your Blackmagic Design hardware output.

Many video sources including all kinds of modern cameras and disk recorders, as well as old cameras and VHS tape players, do not have any device control. To capture video without deck control:. Click the ‘toggle source’ button so that the button’s icon of a deck shows a red circle-slash symbol. This symbol indicates that deck control has been disabled.

Select the video source track V and the audio source tracks A1, A2, From the ‘res’ resolution menu, choose which compressed or uncompressed codec you wish to use for your captured clips.

The capture button will flash red while recording. Click the capture button again to end the capture. Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button. In the ‘deck preferences’, enable the option to ‘relax coincidence point detection’. Set the ‘cap’ and ‘toggle source’ buttons to use deck control. Use the ‘deck controller window’ to cue the tape and start playing.

If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control. From your project window, click the settings tab and double-click on ‘deck configuration’. In the ‘deck configuration’ dialog box, click ‘add channel’ and then set the channel type to ‘direct’ and the port to ‘RS deck control’.

Click OK and choose ‘no’ when asked, ‘do you want to autoconfigure the channel now? Click ‘add deck’ and then select your brand and model of deck from the device menus and also set the desired preroll. Click OK and then ‘apply’. If this option is left unchecked, you will only be able to perform insert edits. Enable the option to ‘relax coincidence point detection’ and set other settings as needed.

Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware. Launch Smoke and the ‘project’ and ‘user settings’ window will appear.

Connect an RS deck control cable from the serial port on your VTR to the remote control port of your Blackmagic Design capture and playback device. Connect a sync generator to the sync input of the VTR to ensure frame-accurate capture. If you have a separate audio device, an audio sync signal must be connected to it as well.

Select a folder in the media library where you want the captured clip to be created. Select the video and audio channels you wish to record. The buttons will turn red to let you know which tracks are enabled. Click ‘capture’ to start the capture. The timecode field will turn green to indicate that capture is in progress. End the capture at any time by clicking anywhere over the preview window.

Choose the clip s to output from the media library. You can also select a folder if you wish. Select the VTR in the device name box. The preview window displays the video from the. Make sure that the correct video track and audio channel buttons are enabled so that the. Enable or disable ‘all audio’ in the ‘clip output’ menu. When all audio is enabled, every. To output the selected clip starting at any frame other than the first one, enter the start.

To output the clip to the VTR, select ‘insert’ from the ‘output’ box. The clips with ‘status’ selected. During output, the status of each clip will be updated to ‘pending’, ‘output’,. Cue to the In timecode and then select ‘play’ to check that the transfer was successful.

Set your ‘in’ and ‘out’ points, then select Insert from the ‘output’ dropdown menu. Autodesk Smoke allows you to capture a live video signal or crash-record a clip by using a tablet pen or a mouse to start and stop the clip input or output process. When you choose this form of capture, Autodesk Smoke checks the available space on your Autodesk media storage device to determine the available space, which varies depending on your preferred intermediate format.

Use the preferences window to set project video format, capture file format, storage location and other settings. Media Express automatically detects your input video format and sets the ‘project video format’ to match. If you want to set the project video format manually:.

Tick the checkbox ‘continue playback when in the background’ if you want Media Express to keep playing video even if you open another application. The final options relate to tape decks with RS deck control and include pre-roll and timecode offsets. Capturing video is easy and all you need to do is connect a video source, wait for Blackmagic Media Express to detect your input and press the ‘capture’ button. Start by connecting your video source to an input of your Blackmagic Design hardware.

Launch Blackmagic Desktop Video Utility and check that the ‘set video input’ setting is the same as your video source, e. Your source video will appear in the preview pane. Enter a description into the ‘description’ field. To increment the value in each of these fields, click the corresponding clapper board icon. Alternatively, type directly into any field to customize its name and number. The text in the automatic name field will be applied to the clip s about to be captured.

To log the clip as a favorite, click the star icon next to the name field. For a clip name confirmation prompt to appear before every capture, click the ‘! Click the ‘capture’ button to start recording.

To stop the capture and keep the clip, click the ‘capture’ button again or press esc. The captured clips are added to the media list on the left side of Media Express.

If the video input format changes from the project video format, Media Express will automatically detect it and will prompt you to save the current project and create a new one.

Ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck. Use the standard j, k, l shortcut keys to shuttle backwards, pause and shuttle forwards. Click the ‘log clip’ button to log the clip, or use the shortcut key p. The entry should now appear in the media list with a red X in its icon to indicate the media is offline. Select a project video format with “3D” in its name to capture dual-stream stereoscopic 3D video clips.

In Thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon. Right-click on the selection and select batch capture. Go to the ‘file’ menu and choose batch capture. When the capture has been completed, a single thumbnail will appear in the media list representing the entire frame sequence. The sequence of DPX frames will be stored in its own folder in your disk storage. Audio will be stored in a. If you want the DPX frame numbers to be based on the timecode of the captured video, rather than just starting from zero, enable the option to ‘use absolute frame numbering when capturing DPX’.

WebContribute to stevenfarmer/wgj development by creating an account on GitHub. WebBlackmagic DeckLink HD Extreme 3D. Connection: HD/SDI Video Input. LiveKey, Blackmagic System Preferences and Blackmagic driver on Mac OS X / Media Express, . WebDeckLink 4K Extreme 12G requires an x8 lane or faster slot. Mac OS X. Desktop Video software runs on the latest Mavericks and Yosemite versions of Mac OS X. If your . WebBlackmagic Decklink Hd Extreme 3d Drivers For Mac. 8/30/ DeckLink 8K Pro is an advanced 8 lane PCI Express capture and playback card designed for the next .

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Connect DeckLink to decklink extreme pcie driver download equipment with virtually any type of video and audio connection available, as well as professional RS deck control, external reference inputs and more!

All DeckLink cards feature advanced SDI video connections, the standard for today’s post production and broadcast equipment. Some DeckLink models also include HDMI, analog component, S-Video and composite dceklink, which means that you can connect to a range of older dwonload and consumer equipment. Work with the widest range of monitors, switchers, routers, decklink extreme pcie driver download decks and more. With Посмотреть больше models you pccie be assured you have every kind of connection, decklink extreme pcie driver download, file format and software compatibility you need for any task!

Connect virtually any professional or consumer analog video device or deck. If you’re connecting to older decks such as Betacam SP, then you can exe selenium download the component analog connections on the DeckLink Studio and DeckLink 4K Extremf to downloqd in direct using the component analog video connections and balanced analog audio. DeckLink has models with both SDI and HDMI connections, so is perfect for connecting to жмите monitors and video projectors for massive cinema style monitoring!

DeckLink cards are perfect for use with routers because they include support for video, multi channel audio, timecode and close caption data, all down the single SDI cable. This deckliink costs on installing routers because the single SDI router can handle all the signal types without resorting to expensive multi level routers that cost millions!

Different models of DeckLink cards support built in down conversion, so you can send feeds to systems that run separate SD and HD routers. Multi rate SDI connections also support newer router designs such as Blackmagic Design’s Videohub range that allow multiple video formats on the same router at the same time.

Connecting to live production switchers is easy. Each link can be connected to two switcher inputs, and decklink extreme pcie driver download server can use the http://replace.me/7914.txt and key internally, to key these graphics live. The included Photoshop CC plug in also supports RGB graphics and alpha channels in your Photoshop CC graphics so you can update titles instantly for urgent on air graphics.

DeckLink is also perfect for decklink extreme pcie driver download streaming production switcher адрес страницы outputs. Simply connect the switcher downoad or aux output to the DeckLink input and run downloa favorite streaming doqnload. Learn more about Media Express. Learn more about Models. Learn more about Tech Specs. Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In.

New Zealand. South Africa. Chinese Taipei. United Kingdom. United States. Find Reseller. Connect to Virtually Any Video Device. Connecting to Decks and Monitors. Connecting to Routers DeckLink cards are perfect for use with routers because they decklink extreme pcie driver download support for video, multi channel audio, timecode and close caption data, all down the single SDI cable.

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Embedded: includes audio channels as part of video signals. XLR: is a three pin audio connector that is predominantly used by professional analog. Microphone: Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones. Be sure to wait at least 10 seconds for phantom power to discharge after disconnecting before plugging in a self powered microphone.

The following table outlines the different aspect ratio selections available during conversions. You can also generate a status report and enter product notes specific to your hardware. The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated. You can also generate a status report by clicking on the status report ‘create’ button, which lets you save a file containing technical information such as the video format detected on your input and output, color space, color sampling and bit depth, driver information, operating system and machine information.

This report can be useful if you ever need to contact our technical support team. The file is also very small so can be easily emailed. This is useful if you have the same hardware in various locations on a network, plus it can be handy to name the different units for their purposes, e. When you enter a name for your hardware in the label field, it is saved to the Blackmagic Desktop Video Utility home page and displayed beneath the hardware image.

Desktop Video 10 allows simultaneous capture and playback on Blackmagic Design 4K hardware. When using live grading on-set, simply connect the output of the camera to the input of your Blackmagic Design hardware. Then connect the hardware’s output to an on-set monitor for grading evaluation and viewing.

Launch DaVinci Resolve. Save your preferences and restart DaVinci Resolve to apply your changes. Start a project and from within the ‘project settings’ window, set the resolution and frame rate to match your camera. In the ‘project settings’ window, go to the ‘capture and playback’ tab and select your desired format from the ‘video capture and playback’ menu. You should now see live video within the viewer and a bright red ‘Resolve Live’ button will appear above the video.

Use the browser on the ‘media’ page to load your clips into the media pool. On the ‘edit’ page, drag a clip from the media pool to the source viewer. You can set the in and out points in source clips by using the I and O keys. To edit the clip into the timeline, simply drag and drop the clip from the source viewer into the timeline. Under ‘video devices’, select Blackmagic Playback.

You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace. If you work with unsupported or non-standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware.

The ‘Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware.

You can scale your. For example, if New Sequence you are using UltraStudio 4K and your Premiere sequence is set to a resolution of x , scaling. To immediately capture, or to capture from a non-controllable device, click the red record button [G].

Choose between two export types: insert and assemble. Insert editing requires unbroken timecode over the full length of the project which is to be laid to tape. As assemble editing erases the tape ahead of the record heads, it should not be used where other projects already exist on the tape after the out point of your edit.

When editing to tape, the software waits at the first frame of your project for the deck to drop into record at the predetermined timecode. You should only need to do this once with any combination of deck and computer and the correct setting will be retained. You can use the broadcast monitoring feature of Final Cut Pro X You can also use two computer monitors for the Final Cut Pro X interface.

Ensure you are running Final Cut Pro X Open Blackmagic Desktop Video Utility. Go to ‘output format’ and then set the same format that you will use in your Final Cut Pro X project, e.

Set the audio channels to stereo or you can choose ‘surround’ for 6 audio channels. Set the audio sample rate to the television rate of 48kHz. Set the render format to the same format as your video clips. Final Cut Pro X defaults to using ProRes compression but you can switch this to Uncompressed bit for an uncompressed workflow.

Click OK to complete the creation of your new project. Step 7. Go to the Final Cut Pro menu, choose ‘preferences’ and then click the ‘playback’ tab. Step 8. If you wish to monitor audio via your Blackmagic Design video hardware, open the ‘system preferences’, click the ‘sound’ icon, click the ‘output’ tab and then select ‘Blackmagic Audio’ for the sound output. You can now use the Final Cut Pro X timeline on your computer monitor and view the video preview on the monitor or TV connected to the output of your Blackmagic Design video hardware.

Click ‘settings’ and select your desired video codec from the dropdown menu. You can use Blackmagic Media Express to capture video and audio with your Blackmagic Design video hardware. Once you have captured the clips, you can import them in to Final Cut Pro X for editing.

When capturing clips with Media Express, make sure you choose one of the video formats that is also supported by Final Cut Pro X, i. Once you have completed a project in Final Cut Pro X, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware.

Click the ‘toggle source’ button so that the button’s icon of a deck shows a red circle-slash symbol. This symbol indicates that deck control has been disabled. Select the video source track V and the audio source tracks A1, A2, From the ‘res’ resolution menu, choose which compressed or uncompressed codec you wish to use for your captured clips.

Step 9. Ensure your video and audio source is ready or playing and then click the ‘capture’ button. The capture button will flash red while recording. Click the capture button again to end the capture. Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button.

In the ‘deck configuration’ dialog box, click ‘add channel’ and then set the channel type to ‘direct’ and the port to ‘RS deck control’. Click OK and choose ‘no’ when asked, ‘do you want to autoconfigure the channel now? Click ‘add deck’ and then select your brand and model of deck from the device menus and also set the desired preroll. Click OK and then ‘apply’. If this option is left unchecked, you will only be able to perform insert edits. Enable the option to ‘relax coincidence point detection’ and set other settings as needed.

If this button displays a log icon, click the button to switch to capture mode and the cap icon should appear. The ‘toggle source’ button should show the icon of a deck. If a red circle-slash symbol is present, click the button to enable deck control and make the red symbol disappear.

Configure video and audio input, video and audio source tracks, target bin, res, target drive and tape name the same way as in ‘capture from non-controllable devices’. Use the deck controller window in the ‘capture tool’ to cue the tape and start playing. Click the ‘capture’ button. Use the ‘deck controller window’, or use the standard j, k, l shortcut keys, to shuttle backwards, pause and shuttle forwards on the deck and locate the video you want to capture.

The icon will alternate between in and out so you only have to click the one button to mark all your in and out points. This can be more convenient that using the separate ‘mark in’ and ‘mark out’ buttons in the deck controller window. Alternatively use the “i” and “o” keys on the keyboard to mark in and out points. When you have finished logging in and out points, open the logging bin, select the clips you want to capture.

Once you have captured your clips, dragged them in to the timeline, edited them and applied and rendered any effects, you will want to record the completed project to tape.

Double-click on a sequence, in your project bin, to open it into the timeline window. Set ‘output mode’ to real-time, bit depth to bit, and deck control to ‘remote’. From the ‘edit menu’, choose to ‘insert edit’ or ‘assemble edit’ for precise edits onto a timecode striped tape. Alternatively choose ‘crash record’ for an easy way to record. Press the ‘play digital cut’ button red triangle icon to record your sequence to tape.

Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware. Launch Smoke and the ‘project’ and ‘user settings’ window will appear.

In the ‘general’ tab, make sure that ‘video device’ and ‘audio device’ are set to BMD. Select a folder in the media library where you want the captured clip to be created.

Load a clip into the VTR output module and set the ‘in’ and ‘out’ points for the output clip. If needed, you can also enable the options to offset the start frame for output and to apply a letterbox overlay. Choose the clip s to output from the media library. You can also select a folder if you wish. Select the VTR in the device name box. The preview window displays the video from the.

Make sure that the correct video track and audio channel buttons are enabled so that the. Enable or disable ‘all audio’ in the ‘clip output’ menu.

When all audio is enabled, every. Learn more about Tech Specs. Miniature M. Eight channel configurable PCIe video capture and playback up to p Log In.

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You can select from the following inputs:. Embedded: includes audio channels as part of video signals. XLR: is a three pin audio connector that is predominantly used by professional analog. Microphone: Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones.

Display As: Select how you’d like your converted video presented. Depending on your input video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, zoom or zoom. This setting enables realtime up and down conversion during playback. Select your desired conversion from the dropdown menu. Output conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.

This report can be useful if you ever need to contact our technical support team. The file is also very small so can be easily emailed.

You can also enter important information that you may want to refer to later, such as the hardware serial number, where and when your hardware was purchased, as well as the seller’s contact details. Desktop Video 10 allows simultaneous capture and playback on Blackmagic Design 4K hardware. When using live grading on-set, simply connect the output of the camera to the input of your Blackmagic Design hardware.

Then connect the hardware’s output to an on-set monitor for grading evaluation and viewing. Launch DaVinci Resolve. Save your preferences and restart DaVinci Resolve to apply your changes. Start a project and from within the ‘project settings’ window, set the resolution and frame rate to match your camera. In the ‘project settings’ window, go to the ‘capture and playback’ tab and select your desired format from the ‘video capture and playback’ menu.

You should now see live video within the viewer and a bright red ‘Resolve Live’ button will appear above the video. In Resolve Live mode, the ‘freeze’ button snowflake icon freezes the current incoming video frame, so you can grade it without being distracted by motion occurring during the shoot. Snapshots are simply one-frame clips. Use the ‘project settings’ window to set your timeline format and video monitoring options.

Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Whether you use the mouse to drag and drop clips, or your keyboard for precision editing, DaVinci Resolve is easy to learn and features all of the functionality professional editors require.

Load a project, and from within the ‘project settings’ window, set your ‘timeline resolution’, ‘timeline frame rate’ and ‘playback frame rate’.

Under the ‘video monitoring’ section, set your ‘video format’. This is the format that will be used for the output from your Blackmagic Design hardware. Click the ‘save’ button to save the changes and close the project settings window. Use the browser on the ‘media’ page to load your clips into the media pool. On the ‘edit’ page, drag a clip from the media pool to the source viewer.

You can set the in and out points in source clips by using the I and O keys. To edit the clip into the timeline, simply drag and drop the clip from the source viewer into the timeline. Under ‘video devices’, select Blackmagic Playback.

You can scale your image up or down to the next closest video standard supported by your hardware. When you have completed your composition, you can render a DPX image sequence or any of the following codecs:.

Select the ‘video input format’ and the ‘image bit depth’ and then click ‘import image’. Once you have set the ‘import’ or ‘export’ options, subsequent imports and exports will not display the settings window. However, you can still change your settings, by holding the Option [Mac] or Ctrl [Win] key, when selecting import or export.

For example, if New Sequence you are using UltraStudio 4K and your Premiere sequence is set to a resolution of x , scaling.

You can use the broadcast monitoring feature of Final Cut Pro X You can also use two computer monitors for the Final Cut Pro X interface. Ensure you are running Final Cut Pro X Open Blackmagic Desktop Video Utility. Go to ‘output format’ and then set the same format that you will use in your Final Cut Pro X project, e.

Step 6. Set the ‘audio and render properties’ to ‘custom’. Set the audio channels to stereo or you can choose ‘surround’ for 6 audio channels. Set the audio sample rate to the television rate of 48kHz. Set the render format to the same format as your video clips.

You can now use the Final Cut Pro X timeline on your computer monitor and view the video preview on the monitor or TV connected to the output of your Blackmagic Design video hardware.

Double-click the project name in the ‘select project’ dialog box. The Media Composer interface will appear along with the project window for your new project. You have completed setting up your project. Double-click the imported file to play it in a pop-up monitor.

You should now see the image on both your computer monitor and your Blackmagic Design hardware output. Many video sources including all kinds of modern cameras and disk recorders, as well as old cameras and VHS tape players, do not have any device control. To capture video without deck control:. Click the ‘toggle source’ button so that the button’s icon of a deck shows a red circle-slash symbol. This symbol indicates that deck control has been disabled. Select the video source track V and the audio source tracks A1, A2, From the ‘res’ resolution menu, choose which compressed or uncompressed codec you wish to use for your captured clips.

Click the capture button again to end the capture. Set up the ‘capture tool’ to capture video without deck control by clicking the ‘toggle source’ button. In the ‘deck preferences’, enable the option to ‘relax coincidence point detection’. Set the ‘cap’ and ‘toggle source’ buttons to use deck control.

Use the ‘deck controller window’ to cue the tape and start playing. If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control. From your project window, click the settings tab and double-click on ‘deck configuration’. In the ‘deck configuration’ dialog box, click ‘add channel’ and then set the channel type to ‘direct’ and the port to ‘RS deck control’.

Double-click on a sequence, in your project bin, to open it into the timeline window. Set ‘output mode’ to real-time, bit depth to bit, and deck control to ‘remote’.

From the ‘edit menu’, choose to ‘insert edit’ or ‘assemble edit’ for precise edits onto a timecode striped tape. Alternatively choose ‘crash record’ for an easy way to record. Press the ‘play digital cut’ button red triangle icon to record your sequence to tape. Autodesk Smoke brings together editing, compositing and 3D effects into a single workspace. Smoke captures and plays back standard definition and high definition video and audio with Blackmagic Design video hardware and also supports RS deck control.

Before installing Autodesk Smoke, make sure that both the Blackmagic Design drivers and your video device are properly installed. Smoke’s broadcast monitoring allows you to output video through Blackmagic Design hardware. Launch Smoke and the ‘project’ and ‘user settings’ window will appear.

Choose your. Otherwise, create a new project. Set the project settings to match your delivery settings, i. Most of these settings.

Choose your intermediate format, such as ‘ProRes HQ’ or even ‘uncompressed’ for your. Remember to choose a format that your storage can handle. Connect an RS deck control cable from the serial port on your VTR to the remote control port of your Blackmagic Design capture and playback device. Connect a sync generator to the sync input of the VTR to ensure frame-accurate capture.

If you have a separate audio device, an audio sync signal must be connected to it as well. Before starting Autodesk Smoke, you must use a utility called Smoke setup to select the model of the VTR s in your facility and its appropriate timing settings.

In the ‘general’ tab, make sure that ‘video device’ and ‘audio device’ are set to BMD. Select a folder in the media library where you want the captured clip to be created. Select the video and audio channels you wish to record. The buttons will turn red to let you know which tracks are enabled. Click ‘capture’ to start the capture. The timecode field will turn green to indicate that capture is in progress. End the capture at any time by clicking anywhere over the preview window.

Select the VTR in the device name box. The preview window displays the video from the. Make sure that the correct video track and audio channel buttons are enabled so that the.

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To log the clip as a favorite, click the star icon next to the name field. For a clip name confirmation prompt to appear before every capture, click the ‘!

Click the ‘capture’ button to start recording. To stop the capture and keep the clip, click the ‘capture’ button again or press esc. The captured clips are added to the media list on the left side of Media Express. If the video input format changes from the project video format, Media Express will automatically detect it and will prompt you to save the current project and create a new one. Ensure an RS serial cable is connected between your Blackmagic Design video hardware and the deck.

Use the standard j, k, l shortcut keys to shuttle backwards, pause and shuttle forwards. Click the ‘log clip’ button to log the clip, or use the shortcut key p. The entry should now appear in the media list with a red X in its icon to indicate the media is offline.

Select a project video format with “3D” in its name to capture dual-stream stereoscopic 3D video clips. In Thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon.

Right-click on the selection and select batch capture. Go to the ‘file’ menu and choose batch capture. When the capture has been completed, a single thumbnail will appear in the media list representing the entire frame sequence. The sequence of DPX frames will be stored in its own folder in your disk storage.

Audio will be stored in a. If you want the DPX frame numbers to be based on the timecode of the captured video, rather than just starting from zero, enable the option to ‘use absolute frame numbering when capturing DPX’. If you aren’t performing long DPX captures, you may wish to reduce the number of zeroes in the frame numbers by changing the option, ‘when capturing DPX files, use digit numbers in the frame count’.

In Timecode List view, the left and right eye clips are listed on two lines and linked together by a 3D indicator. When capturing and logging dual stream 3D in Media Express, the clip name will be applied to the left eye video. The Media List presents an eye-catching indication that the captured clip is a 3D clip:. In thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon. In timecode list view, the left and right eye clips are listed on two lines and linked together by a 3D indicator.

For more information about H. You can use the transport controls to play, stop, jump to the next or previous clip and loop playback. If the imported clips do not match the existing clips, you will be prompted to create a new project. To play back a single clip, double-click the clip in the media list.

Alternatively, select the clip in the media list and press the space bar on your keyboard or the play button in the transport controls. To play back multiple clips, select the clips in the media list and then press the space bar on your keyboard or the play button in the transport controls. Your video will play back in the video preview pane of Media Express and on all the video outputs of your Blackmagic Design video hardware.

You can play back your video and audio files after importing media into Media Express in any of the following ways:. Right-click an empty area of the media list and select ‘import clip’ from the contextual menu. Go to the ‘file’ menu, select import and then ‘media files’. Select the video and audio clip s you wish to import from the ‘open video clip’ dialog box. The clips will appear in the ‘scratch’ area of the media list. If you have created your own bins in the media list, you can drag the clips into the desired bin.

To import directly to a bin, right-click within the desired bin and select ‘import clip’ from the contextual menu. If the files being imported do not match the frame rate and size of existing clips in the media list, you will be prompted to create a new project and to save the current project.

Select the EDL and open it. The logging information will appear in the media list. Select the logged clips and perform a batch capture to import the clips from your deck.

In the media list, choose to view your clips in ‘timecode list’ view or ‘thumbnail’ view. Click the ‘favorites’ button to show only your favorite clips. Type in the search field to find your favorite clips. Thumbnails are the most intuitive way to display your clips. Hover your mouse over the clip’s thumbnail and then click on the popup info icon at the bottom-right of the thumbnail.

Click the info bubble to hide it. You can view your clips in ‘timecode list’ view by clicking on the ‘timecode list’ button at the top-right of the media list. Use the horizontal scroll bar to view all the columns of information for your clips.

To create a bin, right click an empty spot in the media list and select ‘create bin’. Name the new bin. You can move clips around by dragging the clip icons to the desired bin. If you want a clip to appear in more than one bin, import the same clip again by right-clicking on the bin and choosing ‘import clip’. By default, logged clips appear in the ‘scratch’. If you want to log clips and have them appear in a new bin, right-click the new bin and choose ‘select as log bin’.

In the ‘log and capture’ tab, click the ‘star’ icon next to the name field if you want to log a clip as a favorite. In the ‘playback’ tab, clicking the star icon will make the clip a favorite if it is selected in the media list. Click the star icon again to deselect it as a favorite. Clips marked as favorites will show a yellow star in their icon in ‘timecode list’ view and ‘thumbnail’ view.

Once you have marked clips as favorites, click on the ‘show only favorites’ button at the top of the media list. The star icon will turn yellow. All clips will be hidden except for those marked as favorites. In the ‘log and capture’ tab, click the ‘star’ icon next to the name field if you want to log the clip as a favorite.

To delete clips, select the unwanted clips and press the forward delete button on your keyboard. This will only delete the clips from the media list and they will safely remain on your disk storage. To delete bins, right-click within a bin and choose ‘delete bin’.

This action will delete the bin and any clips it contained. The media list presents a highly visible indication that the imported clip is a 3D clip. The media list presents a highly visible indication that the video and audio clips are linked. Select a 3D project video format that is the same frame rate as your 3D media. Right-click on the left eye file and select “set right eye clip” from the contextual menu.

The left and right eye clips are displayed side by side in the ‘video preview’ window, indicating a 3D video project. If you find the left and right eyes of a 3D stereo clip have been loaded the wrong way around:. Clips can easily be found in a project by typing the name of your clips in the search field at the top of the media list. When used in conjunction with the favorites feature, the search will be confined to your favorite clips so you will see a shorter list of found clips.

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DeckLink 4K Extreme. Welcome to Desktop Video! Lastly, please register your Blackmagic Design video hardware when downloading software updates. Windows Desktop Video runs exclusively on bit versions of Windows, with the latest service pack installed.

Windows 7, Windows 8 and Windows 10 are supported. If your Blackmagic Design video hardware connects to your computer via Thunderbolt, a PC with a Thunderbolt port is required. Make sure your computer is Thunderbolt 3 compatible by looking for the Thunderbolt icon near its USB-C connector, as shown below. Connecting Video Hardware with Thunderbolt Step 1. Secure the side panel to your computer and reconnect power. To install a PCIe adapter card: Step 1.

Restart your computer to enable the new software drivers. Automatic Updates When your Mac restarts the software will check the internal software version of your hardware. Windows Installation Step 1. Automatic Updates. Linux Installation Step 1. There are three sets of packages provided: The desktopvideo package provides the core drivers and API libraries.

Updates If you have installed the graphical utilities, you will be automatically notified when you need to update the internal software.

Click the ‘capture’ button to commence recording. Capturing and Playing back Video It’s a good idea to run a quick test to ensure you can successfully capture and play back video. Setting-Up Step 1. Connect a video source to the input of your Blackmagic Design hardware.

Testing Video Capture Step 1. Testing Video Playback Step 1. Click on the ‘playback’ tab. Capturing H. To capture video using the built in H. Blackmagic Desktop Video Utility home page. Introducing Blackmagic Desktop Video Utility Blackmagic Desktop Video Utility provides a central location for configuring hardware settings, plus a realtime status display showing the video connected to your hardware’s inputs and outputs.

Click on an icon to set your video input connection. Video Settings Video Input Click on a connector icon to set the ‘video input’ connection for your Blackmagic Design hardware.

Enable the checkbox to capture timecode from the dedicated XLR input. Drag the sliders to adjust chroma and luminance levels on analog video. Set the output format to match your Final Cut Pro X project. Black: Sends black frames to your outputs. Line by Line: the left and right eye images are carried on alternate video lines without compression. Left Eye: only the left eye image is displayed. Right Eye: only the right eye image is displayed. Analog Video Output Levels Drag the ‘video’ and ‘chroma’ sliders to adjust the analog video output levels for component or composite video.

Reference Input The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. Click on a connector icon to set your ‘audio input’ connection. Drag the ‘input level’ slider to control your microphone input level. Adjust the output channel sliders to control your analog audio output levels. Audio Settings Audio Input Click on a connector icon to set your ‘audio input’ connection for your Blackmagic Design hardware. You can select from the following inputs: Embedded: includes audio channels as part of video signals.

XLR: is a three pin audio connector that is predominantly used by professional analog audio equipment. Reset Icon When adjusting sliders, you may want to cancel your change. Conversions Settings. Input Conversion This setting enables realtime up and down conversion during capture. Output Conversion This setting enables realtime up and down conversion during playback. About Driver The ‘about’ page in Blackmagic Desktop Video Utility provides information about your hardware’s current driver, and the last time your hardware was updated.

Select your format from the ‘video capture and playback’ menu. Setting Up Step 1. Using Resolve Live Step 1. Editing with DaVinci Resolve Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Editing Step 1. After Effects CC Select an option to output unsupported frame sizes.

Click on the ‘scratch disks’ tab to set the locations for your captured video, captured audio, video previews and audio previews. Set the Capture Format to Blackmagic capture and click ‘settings’ [Mac] or ‘properties’ [Win] to set the video standard and video format. Device Control Many Blackmagic Design capture and playback models feature RS device control for controlling decks.

Editing to Tape Once you have completed a project in Final Cut Pro X, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware. Select your clips from the timeline in Final Cut Pro X.

Avid Media Composer. Launch Media Composer and the ‘select project’ dialog box will appear. Choose your preferred ‘user profile’ if you have previously created one. Click the ‘new project’ button. Capture from Controllable Devices with UltraStudio, DeckLink and Teranex If you have a deck that connects via RS, you will need to configure the deck settings before performing a capture with deck control.

Under the settings tab, double-click on ‘deck preferences’. To capture with deck control on-the-fly: Step 1. Recording to Tape with UltraStudio and DeckLink Once you have captured your clips, dragged them in to the timeline, edited them and applied and rendered any effects, you will want to record the completed project to tape.

Installation Step 1. Choose your Autodesk Smoke ‘project’ and ‘user’ if you have previously created them. Most of these settings can be changed later during your session. Choose your intermediate format, such as ‘ProRes HQ’ or even ‘uncompressed’ for your project generated media. Click the ‘create’ button. Set your VTR to remote. Click ‘apply’ and close Smoke Setup.

The VTR capture module appears. Cue the tape to the start frame of the clip you want to capture. Enter ‘in’ and ‘out’ points in the in and out fields. Video and audio tracks turn red when enabled for capture from your VTR. You can also select a folder if you wish to output its contents in one session.

The preview window displays the video from the tape in the selected VTR. Your VTR should be selectable in the drop down list. Make sure that the correct video track and audio channel buttons are enabled so that the corresponding video track and audio channels are output to tape.

When all audio is enabled, every audio channel will be converted to the format on your tape, not just the ones you enabled. Click preview to watch the clip before outputting. Clips you have selected to output appear in a list with their Step 7. To output the selected clip starting at any frame other than the first one, enter the start timecode in the ‘start offset’ field.

Set the ‘in’ and ‘out’ points for clip output. The clips with ‘status’ selected will be output to tape. During output, the status of each clip will be updated to ‘pending’, ‘output’, and then ‘done’. Step When you are finished, click ‘exit output clip’ to close the module. Crash-Record and Live Output Autodesk Smoke allows you to capture a live video signal or crash-record a clip by using a tablet pen or a mouse to start and stop the clip input or output process.

To crash-record a live video signal: Step 1. Make sure you are receiving the live video signal. Press ‘play’ on the video device. Select ‘process’ to begin capturing. Click anywhere on the screen to end capturing in ‘stop on pen’ mode. Use ‘start on pen’ mode when outputting live video. To output a live video signal: Step 1. Select ‘process’ to begin the output on Autodesk Smoke. Click anywhere on the screen to end the output in ‘stop on pen’ mode.

What is Blackmagic Media Express? Capturing Video and Audio Files Setting Up a Project Media Express automatically detects your input video format and sets the ‘project video format’ to match. With DeckLink models you can be assured you have every kind of connection, quality, file format and software compatibility you need for any task!

Multi rate SDI connections also support newer router designs such as Blackmagic Design’s Videohub range that allow multiple video formats on the same router at the same time. Connecting to live production switchers is easy. Each link can be connected to two switcher inputs, and the server can use the fill and key internally, to key these graphics live. The included Photoshop CC plug in also supports RGB graphics and alpha channels in your Photoshop CC graphics so you can update titles instantly for urgent on air graphics.

Blackmagic Utilities Included! Compatible with leading Broadcast Design Tools Add amazing effects and graphics to your work. Cinema 4D. Photoshop CC. After Effects CC.

WebBlackmagic Decklink Hd Extreme 3d Drivers For Mac. 8/30/ DeckLink 8K Pro is an advanced 8 lane PCI Express capture and playback card designed for the next . WebContribute to irisallison1/azb development by creating an account on GitHub. WebNov 06, · If you install windows 7, 64 bit, and Decklink Extreme PCI, you can put only 3,0 (3×)GB of RAM and thing will work. If you put 4 or more not working. I prove this . WebOct 30, · While your DeckLink is a legacy product, you should still be able to download the current Desktop Video from the support page and have it function . WebContribute to stevenfarmer/wgj development by creating an account on GitHub.

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